August Rush

• There?s music in the wind and sky. Can you hear it? And there?s hope. Can you feel it? The boy called August Rush can. The music mysteriously draws him, penniless and alone, to New York City in a quest to find ? somehow, someway ? the parents separated from him years earlier. And along the way he may also find the musical genius hidden within him.Experience the magic of this rhapsodic epic of the

There’s music in the wind and sky. Can you hear it? And there’s hope. Can you feel it? The boy called August Rush can. The music mysteriously draws him, penniless and alone, to New York City in a quest to find â€" somehow, someway â€" the parents separated from him years earlier. And along the way he may also find the musical genius hidden within him. Experience the magic of this rhapsodic epic of the heart starring Freddie Highmore (as August), Keri Russell, Jonathan Rhys Meyers, Terrence Howard! and Robin Williams. "I believe in music the way some people believe in fairy tales," August says. Open your heart and listen. You’ll believe, too.Music has long been considered a universal language with the power to bring people together, but can the simple act of playing music possibly unite a child with a mother and father who live in two different cities and don't even know of the child's existence? Having shared one extraordinary night, classical cellist Lyla Novacek (Keri Russell) and Irish singer and songwriter Louis Connelly (Jonathan Rhys Meyers) were a union meant to be that was torn apart by circumstances and a protective father (William Sadler). After eleven years, both Lyla and Louis have given up performing only to find that they are unhappy and searching for a sense of fulfillment that will ultimately lead both artists back to music and performing. Evan (Freddie Highmore) is an 11-year old orphan who's grown up hearing music in everything around him and ! is convinced that his real parents want him and will find him ! with the help of music. Driven by his innate musical genius and a powerful compulsion to perform before the world, Evan runs away from the orphanage and is initially taken in by a street man known as Wizard (Robin Williams) who encourages his musical talent and renames him August Rush and, later, by a local priest who arranges for August to receive a Julliard education. August is a child prodigy who excels beyond even the wildest expectations and earns the opportunity of a lifetime--a chance to perform in front of an enormous audience in New York's Central Park. The question is; can his performance possibly reach the audience August really craves? While elements of this film are completely unbelievable (take August's instant prowess on the guitar or his immediate and sophisticated grasp of musical notation and musical theory), the message of the universality of music and the notion that "the music is all around us, all you have to do is listen" is both compelling and powerful. --Tami Horiuchi

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EDtv : Widescreen Edition

• Widescreen

IT'S THE UNFORGETTABLE STORY OF A NOBODY, THAT EVERYBODY'S WATCHING. THE HILARIOUS STORY OF A TOTAL UNKNOWN TURNED CELEBRITY, WHO FALLS HEAD-OVER-HEELS FOR HIS BROTHER'S GIRLFRIEND SHARI ONLY TO DISCOVER THAT THEIR MOST INTIMATE PRIVATE MOMENTS HAVE JUST BECOME PUBLIC ENTERTAINMENT.The third entry of 1998-99's cinematic TV trilogy kind of got lost in the shuffle following The Truman Show, an art film masquerading as a blockbuster, and Pleasantville, a heartfelt feel-good movie masquerading as a special-effects extravaganza. EDtv is nothing more than it appears: a scruffy comedy about fame and its discontents. Matthew McConaughey stars as Ed, a white-trash rube who gets his own dawn-to-midnight TV series in which every aspect of his life, no matter how sordid or dull or embarrassing, becomes mass entertainment (it inverts Truman by having the protagonist ! invite the pervasive cameras). Predictably, fame makes him miserable and, unsurprisingly, he finds a way out of his predicament. Albert Brooks covered this same territory in the funnier Real Life, and it's probably not the best idea for a load of comfy celebs to preach to us about how difficult fame is. But the film is cannily cast, including a number of performers who themselves have fallen victim to stupid media tricks (McConaughey, Ellen DeGeneres as the network executive, Elizabeth Hurley as a vamp hitching her star to Ed's, and Woody Harrelson as Ed's even dumber brother). Structurally, the movie is a mess. It looks as if the filmmakers had the choice between making a fully realized, two-and-a-half-hour-long movie that no one would sit through or one that clocks in under two hours but has a lot of plot holes; they opted for the latter (Hurley's character disappears, practically without comment). Still, there are enough laughs to keep things moving, and as a shag! gy dog tale it's decent fun. --David KronkeThe third en! try of 1 998-99's cinematic TV trilogy kind of got lost in the shuffle following The Truman Show, an art film masquerading as a blockbuster, and Pleasantville, a heartfelt feel-good movie masquerading as a special-effects extravaganza. EDtv is nothing more than it appears: a scruffy comedy about fame and its discontents. Matthew McConaughey stars as Ed, a white-trash rube who gets his own dawn-to-midnight TV series in which every aspect of his life, no matter how sordid or dull or embarrassing, becomes mass entertainment (it inverts Truman by having the protagonist invite the pervasive cameras). Predictably, fame makes him miserable and, unsurprisingly, he finds a way out of his predicament. Albert Brooks covered this same territory in the funnier Real Life, and it's probably not the best idea for a load of comfy celebs to preach to us about how difficult fame is. But the film is cannily cast, including a number of performers who themselves have fal! len victim to stupid media tricks (McConaughey, Ellen DeGeneres as the network executive, Elizabeth Hurley as a vamp hitching her star to Ed's, and Woody Harrelson as Ed's even dumber brother). Structurally, the movie is a mess. It looks as if the filmmakers had the choice between making a fully realized, two-and-a-half-hour-long movie that no one would sit through or one that clocks in under two hours but has a lot of plot holes; they opted for the latter (Hurley's character disappears, practically without comment). Still, there are enough laughs to keep things moving, and as a shaggy dog tale it's decent fun. --David KronkeIt's the unforgettable story of a nobody...that everybody's watching! Matthew McConaughey and Jenna Elfman star in this hilarious romantic comedy Joel Siegel of Good Morning America calls "Big-Laugh Funny."

Ed Pekurny (McConaughey) is just a regular guy who feels he has nothing to lose by agreeing to be a star of a new reality-based TV sho! w. Almost overnight, the program becomes a hit, and suddenly t! his goof y but engaging video clerk is a national celebrity! Everything's fabulous...until Ed falls head-over-heels for Shari (Elfman), the girlfriend of his brother Ray (Woody Harrelson). Suddenly their most private moments become public entertainment - and the ratings go through the roof - as millions of fans tune in to watch a real soap opera filled with comedy and romance.

Superbly directed by Ron Howard and featuring a stellar supporting cast including Elizabeth Hurley, Sally Kirkland, Martin Landau, Ellen DeGeneres, Rob Reiner and Dennis Hopper, EDtv is an outrageous look at instant fame, overnight success, and sharing your life with a few million of your closest fans.The third entry of 1998-99's cinematic TV trilogy kind of got lost in the shuffle following The Truman Show, an art film masquerading as a blockbuster, and Pleasantville, a heartfelt feel-good movie masquerading as a special-effects extravaganza. EDtv is nothing more than it appears: a ! scruffy comedy about fame and its discontents. Matthew McConaughey stars as Ed, a white-trash rube who gets his own dawn-to-midnight TV series in which every aspect of his life, no matter how sordid or dull or embarrassing, becomes mass entertainment (it inverts Truman by having the protagonist invite the pervasive cameras). Predictably, fame makes him miserable and, unsurprisingly, he finds a way out of his predicament. Albert Brooks covered this same territory in the funnier Real Life, and it's probably not the best idea for a load of comfy celebs to preach to us about how difficult fame is. But the film is cannily cast, including a number of performers who themselves have fallen victim to stupid media tricks (McConaughey, Ellen DeGeneres as the network executive, Elizabeth Hurley as a vamp hitching her star to Ed's, and Woody Harrelson as Ed's even dumber brother). Structurally, the movie is a mess. It looks as if the filmmakers had the choice between makin! g a fully realized, two-and-a-half-hour-long movie that no one! would s it through or one that clocks in under two hours but has a lot of plot holes; they opted for the latter (Hurley's character disappears, practically without comment). Still, there are enough laughs to keep things moving, and as a shaggy dog tale it's decent fun. --David Kronkedvd

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Clash of the Gods: 3 - Disc Set

• Reacquaint yourself with myths so powerful that they remain woven into the fabric of the present world, resonating with real-life relevance.Thousands of years ago, they were used to help frame the world of the ancients, and dictate the guidelines of their societies. Today, they are often the first stories we learn as children, iconic tales where good and evil clash, and humanity and fantasy collid

Ian McKellen delivers a riveting award-winning performance as Hollywood horror director James Whale. It's 1957 and Whale's heyday as the director of Frankenstein Bride of Frankenstein and The Invisible Man is long behind him. Retired andia semi-recluse he lives his days accompanied only by images from his past. When his dour housekeeper Hannah (Lynn Redgrave) hires a handsome young gardener Clayton Boone (Brendan Fraser) the flamboyant director and simple yard man develop an unlikely friendship. Thi! s powerful and poignant relationship will change their lives forever.System Requirements:Starring Brendan Fraser Ian McKellen Lolita Davidovich Lynn Redgrave Directed by Bill Condon Running time: 105 minutes Copyright Lion's Gate 2003Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 031398833222 Manufacturer No: 71872One of the most critically acclaimed films of 1998 and winner of several awards including the Oscar for Best Adapted Screenplay, Gods and Monsters is a compassionate speculation about the final days of James Whale (1889-1957), the director of Frankenstein and 20 other films of the 1930s and '40s, who was openly gay at a time when homosexuality in Hollywood was discreetly concealed. Adapted and directed by Bill Condon from Christopher Bram's novel Father of Frankenstein, the film stars Ian McKellen in a sublime performance as the white-haired Whale, who is portrayed as a dapper gent and amateur artist prompted by failing health into mela! ncholy remembrance of things past. Flashbacks of lost love, Wo! rld War  I battle trauma, and glory days in Hollywood combine with Whale's present-day attraction to a newly hired yard worker (Brendan Fraser) whose hunky, Frankenstein-like physique makes him an ideal model for Whale's fixated sketching.

The friendship between the handsome gardener and his elderly gay admirer is by turns tenuous, humorous, mutually beneficial, and ultimately rather sad--but to Condon's credit Whale is never seen as pathetic, lecherous, or senile. Equally rich is the rapport between Whale and his long-time housekeeper (played with wry sarcasm by Lynn Redgrave), who serves as protector, mother, and even surrogate spouse while Whale's mental state deteriorates. Flashbacks to Whale's filmmaking days are painstakingly authentic (particularly in the casting of look-alike actors playing Boris Karloff and Elsa Lanchester), and all of these ingredients combine to make Gods and Monsters (executive produced by horror novelist-filmmaker Clive Barker) a touchingly ! affectionate film that succeeds on many levels. It is at once a keen glimpse of Hollywood's past, a loving tribute to James Whale, and a richly moving, delicately balanced drama about loneliness, memory, and the passions that keep us alive. --Jeff ShannonOne of the most critically acclaimed films of 1998 and winner of several awards including the Oscar for Best Adapted Screenplay, Gods and Monsters is a compassionate speculation about the final days of James Whale (1889-1957), the director of Frankenstein and 20 other films of the 1930s and '40s, who was openly gay at a time when homosexuality in Hollywood was discreetly concealed. Adapted and directed by Bill Condon from Christopher Bram's novel Father of Frankenstein, the film stars Ian McKellen in a sublime performance as the white-haired Whale, who is portrayed as a dapper gent and amateur artist prompted by failing health into melancholy remembrance of things past. Flashbacks of lost love, ! World War I battle trauma, and glory days in Hollywood combin! e with W hale's present-day attraction to a newly hired yard worker (Brendan Fraser) whose hunky, Frankenstein-like physique makes him an ideal model for Whale's fixated sketching.

The friendship between the handsome gardener and his elderly gay admirer is by turns tenuous, humorous, mutually beneficial, and ultimately rather sad--but to Condon's credit Whale is never seen as pathetic, lecherous, or senile. Equally rich is the rapport between Whale and his long-time housekeeper (played with wry sarcasm by Lynn Redgrave), who serves as protector, mother, and even surrogate spouse while Whale's mental state deteriorates. Flashbacks to Whale's filmmaking days are painstakingly authentic (particularly in the casting of look-alike actors playing Boris Karloff and Elsa Lanchester), and all of these ingredients combine to make Gods and Monsters (executive produced by horror novelist-filmmaker Clive Barker) a touchingly affectionate film that succeeds on many levels. It is at onc! e a keen glimpse of Hollywood's past, a loving tribute to James Whale, and a richly moving, delicately balanced drama about loneliness, memory, and the passions that keep us alive. --Jeff ShannonOne of the most critically acclaimed films of 1998 and winner of several awards including the Oscar for Best Adapted Screenplay, Gods and Monsters is a compassionate speculation about the final days of James Whale (1889-1957), the director of Frankenstein and 20 other films of the 1930s and '40s, who was openly gay at a time when homosexuality in Hollywood was discreetly concealed. Adapted and directed by Bill Condon from Christopher Bram's novel Father of Frankenstein, the film stars Ian McKellen in a sublime performance as the white-haired Whale, who is portrayed as a dapper gent and amateur artist prompted by failing health into melancholy remembrance of things past. Flashbacks of lost love, World War I battle trauma, and glory days in Hollywood comb! ine with Whale's present-day attraction to a newly hired yard ! worker ( Brendan Fraser) whose hunky, Frankenstein-like physique makes him an ideal model for Whale's fixated sketching.

The friendship between the handsome gardener and his elderly gay admirer is by turns tenuous, humorous, mutually beneficial, and ultimately rather sad--but to Condon's credit Whale is never seen as pathetic, lecherous, or senile. Equally rich is the rapport between Whale and his long-time housekeeper (played with wry sarcasm by Lynn Redgrave), who serves as protector, mother, and even surrogate spouse while Whale's mental state deteriorates. Flashbacks to Whale's filmmaking days are painstakingly authentic (particularly in the casting of look-alike actors playing Boris Karloff and Elsa Lanchester), and all of these ingredients combine to make Gods and Monsters (executive produced by horror novelist-filmmaker Clive Barker) a touchingly affectionate film that succeeds on many levels. It is at once a keen glimpse of Hollywood's past, a loving tribute to Ja! mes Whale, and a richly moving, delicately balanced drama about loneliness, memory, and the passions that keep us alive. --Jeff ShannonReacquaint yourself with myths so powerful that they remain woven into the fabric of the present world, resonating with real-life relevance.

Thousands of years ago, they were used to help frame the world of the ancients, and dictate the guidelines of their societies. Today, they are often the first stories we learn as children, iconic tales in which good and evil clash, and humanity and fantasy collide. But what is the reality behind these stories? From the epic tragedy of Medusa, Greek mythology s most infamous female fiend, to Hercules, its greatest action hero, and Hades, master of the land of the dead and a god so feared no one would speak his name, explore these myths and the legendary figures who inspired them in CLASH OF THE GODS. Each episode connects ancient myths to actual historical events, as well as to events in th! e Bible and other cultures mythologies, gaining important hist! orical i nsight from renowned scholars in search of the truth behind the legends.

This 10-part series on two discs travels back in time to reveal the stories behind some of history s most infamous mythological figures and legends including:

Zeus
Hercules
Hades
The Minotaur
Medusa
Odysseus: Curse of the Sea
Beowulf
Tolkien s Monsters
Thor
And moreIt's paradoxical that the most heavily invented and imagined parts in this 10-episode Clash of the Gods series are so much less riveting than the simple storytelling by scholars cast to recap the myths in classroom-lecture style. In these hour-long episodes, myths are dramatized with acting that borders on farce. Men pumping their muscles and grunting or monsters' eyes glowing flaccidly into the camera lens are marked periodically by CG blood splatters and modern primitive tattoo designs blazing across the screen that do nothing for Greek myth except make it feel oafish. Even narrator S! tan Bernard's rowdy, punctuated speaking style reminds one of narration for a detective show or a wrestling match instead of an educational documentary highlighting history's greatest mythic heroes. While modernizing ancient myth is a controversial topic, there are many reasons a television show visually explicating the classics to reach new generations is a great idea. But the erratic, hectic visual style of this series does a disservice to already-exciting stories that, according to the show's mission, explain the ancient world's belief that nature was subject to the gods. Clash of the Gods' other premise, more in keeping with its sensationalistic tone, is to expose hidden truths behind the myths.

The majority of the series devotes episodes to the rise of the Olympian gods, beginning with Zeus's battle with his father, Kronos, and the Titans. Images of Zeus with a ridiculous white lightning bolt painted across his face repeat ad nauseam throughout to supposedly! show how Zeus took control of mortal earth until consumed by ! his "unc ontrollable sex drive." Likewise, the episode "Hercules" depicts a well-oiled man in tight underwear roaming the desert to elucidate how he is the world's "ultimate superhero." Only scholars like Tom Stone, who humorously likens Hercules to Babe Ruth, or Michael Fontaine from Cornell University, do any justice to the exploration of metaphorical connections between Hercules's 12-challenge quest and the ordeals humans were experiencing when the myth was popular. "Minotaur" better achieves its aim to link truths to the myth, by linking historical wars between the Cretans and Athenians to the horrific tale of the man-eating Cretan beast, deemed Athenian propaganda by historians like David George at Saint Anselm College. Also meaningful is the narrative thread in this episode about Theseus's dual fathers, one mortal and one god, and the fantastic connection between historical politicians, such as Alexander the Great, who believed that they too were conceived of two men. While "Me! dusa," the two-episode "Odysseus," and "Beowulf" do zilch to enlighten beyond basic redundant storytelling, the lamest episode of all is "Tolkien's Monsters," a heavy-handed look at how J.R.R. Tolkien's Middle Earth was inspired by his days in the trenches during World War I. While the information in this series is informative and interesting, simulated drama and footage that repeats as if the History Channel ran out of material to edit in makes for possibly the worst series on mythology out there. Save your money and read the books instead. --Trinie Dalton

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American Racing Vintage T70R (Series VNT70R) Gun Metal With Machined Lip - 15 X 7 Inch Wheel

• Gun metal gray finish with machined lip
• Five spoke design
• Two-piece aluminum with center cap Included
• One year finish warranty
• Lifetime structural warranty

With its hot rod styling, the American Racing Vintage series VNT70R series wheel has that classic look and is solid to the core. This wheel offers a gun metal gray finish with machined lip. Two-piece painted aluminum with center cap and a one year finish and a lifetime structural warranty. In the late '50s, the original five-spoke American Racing Torq Thrust ® wheel was introduced. It is considered by many to be the most famous drag and hot rod wheel of all time. Now, more than 50 years later, American Racing continues its tradition of excellence in period correct and custom wheels for hot rods, muscle cars and restoration applications.

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Diary of a Tired Black Man

• Diary Of A Tired Black Man is a simple story about the complex relationships between Black Men and Black Women. It follows the life and relationships of a successful black man as he tries to find a happy place to rest his heart.He is constantly challenged by the anger he finds in the black women he gets involved with. From his wife, whom he divorces, to the other women he tries to date after her n

Charles, an attorney, and Helen, the devoted wife, seem to have everything: money, a beautiful mansion - the American Dream. But just as Helen prepares to celebrate their 18th wedding anniversary, her life takes a surprising turn.Charles, an attorney, and Helen, the devoted wife, seem to have everything: money, a beautiful mansion - the American Dream. But just as Helen prepares to celebrate their 18th wedding anniversary, her life takes a surprising turn.Charles, an attorney, and Helen, the devoted! wife, seem to have everything: money, a beautiful mansion - the American Dream. But just as Helen prepares to celebrate their 18th wedding anniversary, her life takes a surprising turn.Before it was a movie, it was a theatrical phenomenon! When Helen learns that her husband is leaving her for her best friend, the women in her family are ready with advice. Her devout mother preaches strength and forgiveness, while her parolee grandmother shows up with a gun! Acclaimed African-American playwright Tyler Perry dares to mix sacred and secular humor with riotous results. Experience his most famous morality tale, now a major motion picture, in its original stage format...complete with live musical numbers!Few movies are made with the personal fervor of Diary of a Mad Black Woman. When Helen (Kimberly Elise, Beloved) is literally thrown out of her house by her callous lawyer husband (Steve Harris), her sense of self unravels. She finds herself on the doorstep of her ! gun-toting grandmother Madea (cross-dressed Tyler Perry), who ! sets Hel en on the road to dignity and forgiveness--with a few detours along the way. The plot of Diary of a Mad Black Woman unfolds in a dizzying melange of styles, from soap opera to campy comedy to chick-flick romance to gothic revenge to inspirational tale of redemption. Perry, like Eddie Murphy in The Nutty Professor, plays multiple roles in a family, two of which are over-the-top scenery-chewers while the other is a sincere, generous family man with a drug-addicted wife. This everything-including-the-kitchen-sink approach reflects the play's origins; Perry adapted the screenplay from his enormously popular gospel play, a genre of melodrama featuring extreme emotional drama and whiplash inducing plot turns. Some viewers will clutch this movie to their breast as a cinematic feast; others will see it as so schizophrenic it borders on the surreal. But either way, Elise's charismatic performance will keep you engaged throughout. Also featuring Cicely Tyson (Sounder), Shemar Moore (The Brothers), and Judge Mablean Ephriam (Divorce Court). --Bret FetzerTyler Perry's acclaimed stage production Madea's Family Reunion continues the adventures of southern matriarch Madea. She has just been court ordered to be in charge of Nikki a rebellious runaway; her nieces Lisa and Vanessa are suffering relationship trouble and through it all she has to organize her family reunion.As the reunion approaches secrets are revealed and tensions rise. Madea must use every tactic in her arsenal to not only keep the peace but also keep her family together.System Requirements:Running Time: 110 MinFormat: DVD MOVIE Genre: COMEDY Rating: PG-13 UPC: 031398193289 Manufacturer No: 19328Tyler Perry, impresario of the gospel theater circuit, brings his gun-toting granny-drag persona Madea back to the big screen in Madea's Family Reunion, a sequel to the surprise hit Diary of a Mad Black Woman. In addition to being saddled wit! h an unruly foster teen (Keke Palmer, The Wool Cap), Ma! dea has two troubled nieces: Lisa (Rochelle Aytes, White Chicks), who's engaged to an abusive and controlling investment banker (Blair Underwood, Something New); and Vanessa (Lisa Arrindell Anderson, The Second Chance), who can't open herself to the affection of a bus driver/artist (Boris Kodjoe, The Gospel) because of childhood abuse. Wreaking havoc on both of their lives is their mother Victoria (Lynn Whitfield, Eve's Bayou, in delirious wicked witch mode). Like Madea's previous outing, Madea's Family Reunion may induce mental whiplash--the movie zips from a discussion of flatulence to a jazz-backed poetry reading to domestic violence (Underwood, perhaps eager to leave his bland good-guy image behind, is genuinely scary), or from an act of horrific revenge to a staggeringly gaudy wedding. Though schizophrenic and morally questionable (beating an adult women is clearly wrong, but whipping a child with a belt in the name of tough love is app! arently good), the movie is definitely unpredictable and never dull. Also featuring Cicely Tyson (Because of Winn-Dixie) and the poet Maya Angelou. --Bret FetzerCharles, an attorney, and Helen, the devoted wife, seem to have everything: money, a beautiful mansion - the American Dream. But just as Helen prepares to celebrate their 18th wedding anniversary, her life takes a surprising turn.DIARY OF A TIRED BLACK MAN - DVD Movie

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The Secret Life of the American Teenager: Volume Three (first half of season 2)

• The teen drama that has everyone talking is better than ever in its inspiring third season. Rediscover all the excitement and emotion of THE SECRET LIFE OF THE AMERICAN TEENAGER, the critically acclaimed original ABC Family series. It's a whole new school year as Amy tries to juggle motherhood, school, work and family, and Grace and Jack take their relationship to the next level. Don't mis this "t

The teen drama that has everyone talking is more exciting than ever in Volume Three. Rediscover all the drama and emotion of THE SECRET LIFE OF THE AMERICAN TEENAGER, the critically acclaimed original ABC Family series. It's a whole new world for Amy as she tries to juggle motherhood, school, work and family. Meanwhile, Grace and Jack take their relationship to the next level. Experience all 12 episodes of Volume Three, complete with exciting bonus features including a behind-the-scenes look at the ! cast only on DVD!

Bonus Features include: Pilot Episode: MAKE IT OR BREAK IT, Hat Chat: The Cast Pulls Questions Out Of A Hat, And Their Answers May Surprise You

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On the Edge 900124 Red Folding Utility Wagon With Handle

• Designed for outdoor fun and convenience making the trips to the park as well as tailgating events easier
• Crafted from stain resistant material for long lasting durability
• 120 pound weight capacity
• Ensures hassle free storage
• Folds to less than ten percent of its original size

The On The Edge Folding Wagon is designed for outdoor fun and convenience, making tailgating and trips to the park easier. It is crafted from stain-resistant material for long lasting durability. This sturdy wagon has a 120-pound weight capacity and can hold children, toys, party supplies, and much more. It folds to less than ten percent of its original size, ensuring hassle-free storage.

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Garmin nüvi 1490LMT 5-Inch Bluetooth Portable GPS Navigator with Lifetime Map & Traffic Updates

• Sunlight-readable, 5-inch backlit TFT color touchscreen display with 480 x 272 WQVGA pixel resolution
• Preloaded with City Navigator NT data for North America (U.S. and Canada) and Puerto Rico, with nearly six million points of interest
• Free lifetime map and traffic updates for the most up-to-date maps, POIs, and navigation info, along with constantly updated traffic information
• Advanced navigation features including voice-prompted turn-by-turn directions, lane assist with junction view, fuel-saving ecoRoute
• Integrated Bluetooth wireless technology with a built-in microphone and speaker for hands-free calling. Comes with One-year warranty.

As Good Eats enjoys its 14th season on the Food Network, its popularity continues unabated. Fans can’t get enough of Alton Brown’s wildly inventive, science-geeky, food-loving spirit. It’s no wonder, then, that! the first two volumes in STC’s Good Eats series were New York Times bestsellers.

Like Volumes 1 and 2, Good Eats 3: The Later Years packs a bounty of information and entertainment between its covers. More than 200 recipes are accompanied by hundreds of photographs, drawings, and stills from the show, as well as lots of science-of-food facts, cooking tips, food trivia, behind-the-scenes glimpsesâ€"and bonus sock puppet instructions! In chapters devoted to everything from pomegranates to pretzels, mincemeat to molasses, Alton delivers delicious recipes along with fascinating background in a book that’s as fun to read as it is to cook from. Good Eats 3 will be a must-have addition to the bookshelves and kitchen counters of Alton lovers everywhere.

Praise for Good Eats 3: The Later Years:

“A victory lap” 
â€"Chicago Tribune

“The hefty book i! s filled with health information and tips on how to become a b! etter ho me cook, all told in the breezy style that made Alton Brown’s show so accessible and fun. Plus there is a pattern and stickers for making sock puppets. She was wonderful, but Julia Child never taught you how to make a sock puppet, did she?”
 â€"Oregonian

“Alton’s cookbooks are non-traditional to say the least. In addition to great recipes, they’re loaded with humor, science, and great tips on selecting ingredients.”
â€"Northeast Flavor magazine

“Much like Good Eats the show, the book can carry many labelsâ€"or, more to the point, defy labels altogether.”
â€"The Record

“His best yet.” â€"LAWeekly.com

Alton Brown is a foodie phenomenon: a great cook, a very funny guy, and—underneath it all—a science geek who’s as interested in the chemistry of cooking as he is in eating. (Well, almost.) Here, finally, are the books that Brown! ’s legion of fans have been salivating for—two volumes that together will provide an unexpurgated record of his long-running, award-winning Food Network TV series, Good Eats. 

 

From Â"Pork Fiction” (on baby back ribs), to Â"Citizen Cane” (on caramel sauce), to Â"Oat Cuisine” (on oatmeal), every hilarious episode is represented. Each book—the second will be published in fall 2010—is illustrated with behind-the-scenes photos taken on the Good Eats set. Each contains more than 140 recipes and more than 1,000 photographs and illustrations, along with explanations of techniques, lots of food-science information (of course!), and more food puns, food jokes, and food trivia than you can shake a wooden spoon at.

Good Eats 2: The Middle Years picks up where the bestselling Good Eats: ! The Early Years left off. Showcasing everything Alton Brow! n fans ( and they are legion!) have ever wanted to know about his award-winning television show, The Middle Years is chock-full of behind-the-scenes photographs and trivia, science-of-food information, cooking tips, andâ€"of courseâ€"recipes.

 

Brown’s particular genius lies in teaching the chemistry of cooking with levity and exuberance. In episodes such as “Fit to Be Tied” (meat roulades), “Crustacean Nation” (crab), and “Ill-Gotten Grains” (wheat products), Brown explains everything from how to make the perfect omelet to how to stuff your own sausages. With hundreds of entertaining photographs, along with Brown’s inimitable line drawings and signature witty writing, this comprehensive companion book conveys the same wildly creative spirit as th! e show itself.
The writer with a claim to being the world’s foremost literary escape artist is back, with an intoxicating novel about the business and pleasure of wine, set in his beloved Provence. Max Skinner has recently lost his job at a London financial firm and just as recently learned that he has inherited his late uncle’s vineyard in Provence. On arrival he finds the climate delicious, the food even better, and two of the locals ravishing. Unfortunately, the wine produced on his new property is swill. Why then are so many people interested in it? Enter a beguiling Californian who knows more about wine than Max doesâ€"and may have a better claim to the estate. Fizzy with intrigue, bursting with local color and savor, A Good Year is Mayle at his most entertaining.Brilliant and original, A Thousand Years of Good Prayers introduces a remarkable new writer whose breathtaking stories are set in China and among Chinese Americans in the United Sta! tes. In this rich, astonishing collection, Yiyun Li illuminate! s how my thology, politics, history, and culture intersect with personality to create fate. From the bustling heart of Beijing, to a fast-food restaurant in Chicago, to the barren expanse of Inner Mongolia, A Thousand Years of Good Prayers reveals worlds both foreign and familiar, with heartbreaking honesty and in beautiful prose.

“Immortality,” winner of The Paris Review’s Plimpton Prize for new writers, tells the story of a young man who bears a striking resemblance to a dictator and so finds a calling to immortality. In “The Princess of Nebraska,” a man and a woman who were both in love with a young actor in China meet again in America and try to reconcile the lost love with their new lives.

“After a Life” illuminates the vagaries of marriage, parenthood, and gender, unfolding the story of a couple who keep a daughter hidden from the world. And in “A Thousand Years of Good Prayers,” in which a man visits America for the first time to see his! recently divorced daughter, only to discover that all is not as it seems, Li boldly explores the effects of communism on language, faith, and an entire people, underlining transformation in its many meanings and incarnations.

These and other daring stories form a mesmerizing tapestry of revelatory fiction by an unforgettable writer.


From the Hardcover edition.The large screen nüvi 1490LMT comes with free Lifetime Maps and Traffic and offers multiple-point routing and Lane Assist with junction view to help you manage busy highway interchanges. It announces streets by name, has hands-free calling compatibility and pedestrian navigation options. The ecoRoute feature calculates a more fuel-efficient route.

The large screen nüvi 1490LMT comes with free Lifetime Maps and Traffic and offers multiple-point routing and Lane Assist with junction view to help you manage busy highway interchanges. It announces streets by name, has hands-free calling compat! ibility and pedestrian navigation options. The ecoRoute featur! e calcul ates a more fuel-efficient route.

It's easy to see where you're going on nüvi 1490LMT's 5-inch touchscreen display.

Traffic information is updated constantly, and map updates are available up to 4 times a year, with no subscription, fees, or expiration dates.

Travel tools include JPEG picture viewer, world travel clock with ! time zones, currency converter, measurement converter, calculator and more.

Lane assist with junction view guides you to the correct lane for an approaching turn or exit.

Extra-Wide, Feature-Rich GPS Navigator Lifetime Maps and Traffic

Includes Free Lifetime Map Updates
With free Lifetime Map and Traffic updates, you always have the most up-to-date maps, points of interest and navigation information available at your fingertips. Traffic information is updated constantly, and map updates are available for download up to 4 times a year. Both features are ready to go, right out of the box, with no subscription or update fees and no expiration dates.

See Even More
It's! easy to see where you're going on nüvi 1490LMT's 5-inch (12.! 7 cm) to uchscreen display. View map detail, driving directions, photos and more in bright, brilliant color. With its big, bold display, you won't miss a thing.

Know the Lane Before It's Too Late
No more guessing which lane you need to be in to make an upcoming turn. Lane assist with junction view guides you to the correct lane for an approaching turn or exit, making unfamiliar intersections and exits easy to navigate. It realistically displays road signs and junctions on your route along with arrows that indicate the proper lane for navigation. Lane assist with junction view is available in select metropolitan cities.

Navigate City Transit
With its enhanced pedestrian navigation capabilities, nüvi 1490LMT is the perfect travel companion for getting around town. Download optional cityXplorer content to help you navigate city public transit. Know where to walk, where to catch the bus, subway, tram or other transportation and! how long it will take to get there. cityXplorer maps are available for select cities throughout North America and Europe. And with prices as low as $9.99, you'll have money left over to spend in the big city.

Plan Ahead
nüvi 1490LMT includes advanced navigation features to take the worry out of traveling. With route planning you can save 10 routes, specify via points and preview simulated turns on the 1490LMT's large screen. In addition, nüvi 1490LMT automatically sorts multiple destinations to provide an efficient route for errands, deliveries or sales calls. A trip log provides an electronic bread crumb trail of up to 10,000 points, so you can see where you've been on the map.

Get Turn-by-Turn Directions
nüvi 1490LMT's intuitive interface greets you with two simple questions: "Where To?" and "View Map." Touch the color screen to easily look up addresses and services and get voice-prompted, turn-by-turn direct! ions that speak street names to your destination. It comes pre! loaded w ith detailed City Navigator NT street maps, nearly 6 million points of interest (POIs), 2-D or 3-D maps and the speed limit for most major roads in the U.S. and Europe. Its digital elevation maps show you shaded contours at higher zoom levels, giving you a big picture of the surrounding terrain. With the 1490LMT's enhanced user interface, you can slide your finger to conveniently scroll between screens. You also can upload custom points of interest (POIs). And with HotFix satellite prediction, nüvi calculates your position faster to get you there quicker.

Make Hands-free Calls
For hands-free calling, nüvi 1490LMT integrates Bluetooth wireless technology with a built-in microphone and speaker. Just pair it with your compatible Bluetooth phone and talk hands-free through the 1490LMT while staying focused on the road. Simply dial numbers with nüvi's touchscreen keypad to make a call. To answer calls, just tap the screen and speak into its built-! in microphone. Enjoy convenient one-touch dialing for contacts and points of interest.

Go Beyond Navigation
Navigation is just the beginning. nüvi 1490LMT saves you gas and money with ecoRoute--a green feature that calculates the most fuel-efficient route, tracks fuel usage and more. The 1490LMT includes many travel tools, including JPEG picture viewer, world travel clock with time zones, currency converter, measurement converter, calculator and more. With photo navigation, you can download pictures from Garmin Connect Photos and navigate to them. With its "Where Am I?" emergency locator, you always know your location. Simply tap the screen to get your exact latitude and longitude coordinates, the nearest address and intersection, and the closest hospitals, police stations and fuel stations. The 1490LMT features Garmin Lock, an anti-theft feature, and is compatible with our free Garmin Garage where you can download custom voices and vehicles. ! Enhance your travel experience with optional plug-in microSD c! ards.

What's in the Box

nüvi 1490; Preloaded City Navigator NT North America (U.S and Canada); Lifetime Maps and Traffic; FM Traffic Receiver With Vehicle Power Cable; Vehicle Suction Cup Mount; USB Cable; Dashboard Disc; Quick Start Manual

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