Red M-Tech Fire Fighter Rescue Knife

• Built in belt / line cutter
• 440 Stainless Steel Black Finish Blade Blade Length: 3-1/2"
• One Hand Opening for Left or Right hand Open
• Length: 8-Inch Closed Length: 4-3/4-Inch
• Fire dept emblem on front

Robin Olds was many things to many people. To his West Point football coach he was an All American destined for the National College Football Hall of Fame. To his P-38 and P-51 wartime squadrons in WWII he was the aggressive fighter pilot who made double ace and became their commander in nine short months. For the pioneers of the jet age, he was the wingman on the first jet demo team, a racer in the Thompson Trophy race, and the only U.S. exchange officer to command an RAF squadron. In the tabloid press he was the dashing flying hero who married the glamorous movie star. For the current crop of fighter pilots he is best known as the leader of the F-4 ! Wolfpack battling over North Vietnam. For cadets at the Air Force Academy he was a role model and mentor. He was all of those things and more.

Here’s Robin’s story in his own words and gleaned from the family and friends of his lifetime. Here’s the talent and learning, the passion and leadership, the love and disappointments of his life. Few men have written on the tablets of aviation history with such a broad and indelible brush. Olds was a classic hero with vices as well as virtues, a life writ large that impacted many.

Donovan Marshall found his purpose in life, something many seek and never find. Although the path chosen was bizarre and extremely dangerous, he was determined to follow it wherever it would take him. Donovan Marshall decided to fight crime, a choice where peril severely outweighs personal gratification. While on his journey, Donovan becomes even more driven.

Along the way he meets Alana Morgan, and Donovan is soon pu! lled into a burgeoning romance with an extraordinary woman. No! w he’s forced to balance the life of a crime fighter, potential boyfriend, office manager, and amateur environmentalist.

Danger peaks when Donovan’s extracurricular activities impact the largest criminal organization in the city, and ruthless underboss Tyson Fedotov looks to put a violent end to the adventures of the crime-fighting yuppie.

A courageous man is forced to contemplate his own mortality with love and normalcy on the horizon. Can a mask and non-lethal weaponry be enough to combat the violence that plagues the city streets?
Donovan Marshall found his purpose in life, something many seek and never find. Although the path chosen was bizarre and extremely dangerous, he was determined to follow it wherever it would take him. Donovan Marshall decided to fight crime, a choice where peril severely outweighs personal gratification. While on his journey, Donovan becomes even more driven.

Along the way he meets Alana Morgan, and Donovan is s! oon pulled into a burgeoning romance with an extraordinary woman. Now he’s forced to balance the life of a crime fighter, potential boyfriend, office manager, and amateur environmentalist.

Danger peaks when Donovan’s extracurricular activities impact the largest criminal organization in the city, and ruthless underboss Tyson Fedotov looks to put a violent end to the adventures of the crime-fighting yuppie.

A courageous man is forced to contemplate his own mortality with love and normalcy on the horizon. Can a mask and non-lethal weaponry be enough to combat the violence that plagues the city streets?
Extreme Series All Metal Heavy Duty Fire Fighter Rescue Knife RED Aluminum Handles features:

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Empire

• The epic event of the year comes to DVD in the mini-series EMPIRE. Complete with unrated and extended scenes, EMPIRE is presented for the first time as a seamless feature. The Roman Empire is plunged into chaos when Julius Caesar is assassinated and his power is passed on to his 18-year-old nephew Octavius. With his guardian, former gladiator Tyrannus, Octavius is forced into exile to escape those

Imperialism as we knew it may be no more, but Empire is alive and well. It is, as Michael Hardt and Antonio Negri demonstrate in this bold work, the new political order of globalization. It is easy to recognize the contemporary economic, cultural, and legal transformations taking place across the globe but difficult to understand them. Hardt and Negri contend that they should be seen in line with our historical understanding of Empire as a universal order that accepts no boundaries or limits. T! heir book shows how this emerging Empire is fundamentally different from the imperialism of European dominance and capitalist expansion in previous eras. Rather, today's Empire draws on elements of U.S. constitutionalism, with its tradition of hybrid identities and expanding frontiers.

Empire identifies a radical shift in concepts that form the philosophical basis of modern politics, concepts such as sovereignty, nation, and people. Hardt and Negri link this philosophical transformation to cultural and economic changes in postmodern society--to new forms of racism, new conceptions of identity and difference, new networks of communication and control, and new paths of migration. They also show how the power of transnational corporations and the increasing predominance of postindustrial forms of labor and production help to define the new imperial global order.

More than analysis, Empire is also an unabashedly utopian work of political philos! ophy, a new Communist Manifesto. Looking beyond the reg! imes of exploitation and control that characterize today's world order, it seeks an alternative political paradigm--the basis for a truly democratic global society.

(20010723)Empire is a sweeping book with a big-picture vision. Michael Hardt and Antonio Negri argue that while classical imperialism has largely disappeared, a new empire is emerging in a diffuse blend of technology, economics, and globalization. The book brings together unlikely bedfellows: Hardt, associate professor in Duke University's literature program, and Negri, among other things a writer and inmate at Rebibbia Prison in Rome. Empire aspires to the same scale of grand political philosophy as Locke or Marx or Fukuyama, but whether Hardt and Negri accomplish this daunting task is debatable. It is, however, an exciting book that is especially timely following the emergence of terrorism as a geopolitical force.

Hardt and Negri maintain that empire--traditionally understood as military or ca! pitalist might--has embarked upon a new stage of historical development and is now better understood as a complex web of sociopolitical forces. They argue, with a neo-Marxist bent, that "the multitude" will transcend and defeat the new empire on its own terms. The authors address everything from the works of Deleuze to Jefferson's constitutional democracy to the Chiapas revolution in a far-ranging analysis of our contemporary situation. Unfortunately, their penchant for references and academese sometimes renders the prose unwieldy. But if Hardt and Negri's vision of the world materializes, they will undoubtedly be remembered as prophetic. --Eric de Place EMPIRE - DVD MovieIn the tradition of Bury My Heart at Wounded Knee, a stunningly vivid historical account of the forty-year battle between Comanche Indians and white settlers for control of the American West, centering on Quanah, the greatest Comanche chief of them all.

S. C. Gwynne’! s Empire of the Summer Moon spans tw! o astoni shing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches.

Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined just how and when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier! being rolled backward by Comanches incensed by the invasion of their tribal lands. So effective were the Comanches that they forced the creation of the Texas Rangers and account for the advent of the new weapon specifically designed to fight them: the six-gun.

The war with the Comanches lasted four decades, in effect holding up the development of the new American nation. Gwynne’s exhilarating account delivers a sweeping narrative that encompasses Spanish colonialism, the Civil War, the destruction of the buffalo herds, and the arrival of the railroadsâ€"a historical feast for anyone interested in how the United States came into being.

Against this backdrop Gwynne presents the compelling drama of Cynthia Ann Parker, a lovely nine-year-old girl with cornflower-blue eyes who was kidnapped by Comanches from the far Texas frontier in 1836. She grew to love her captors and became infamous as the "White Squaw" who refused to return until her tragic capt! ure by Texas Rangers in 1860. More famous still was her son Qu! anah, a warrior who was never defeated and whose guerrilla wars in the Texas Panhandle made him a legend.

S. C. Gwynne’s account of these events is meticulously researched, intellectually provocative, and, above all, thrillingly told. Empire of the Summer Moon announces him as a major new writer of American history.

The epic event of the year comes to DVD in the mini-series EMPIRE. Complete with unrated and extended scenes, EMPIRE is presented for the first time as a seamless feature. The Roman Empire is plunged into chaos when Julius Caesar is assassinated and his power is passed on to his 18-year-old nephew Octavius. With his guardian, former gladiator Tyrannus, Octavius is forced into exile to escape those who wish to sever Caesar's bloodline permanently. Under Tyrannus' tutelage, Octavius prepares to face off against the treacherous Marc Antony and fulfill his destiny as the leader of Rome. EMPIRE boasts "powerful acting," says the Wall Street Journal, with! a hot young cast that includes James Frain (24), Colm Feore, Jonathan Cake, Santiago Cabrera, and Emily Blunt. Filmed entirely in scenic Italy, EMPIRE tells the thrilling story of a hero's rise amidst the greed, intrigue, and lust of ancient Rome.~The lavishly produced six-hour mini-series Empire aspires to capture the flavor and grandeur of Rome--or, failing that, the flavor and grandeur of Gladiator, a highly successful movie about Rome. Most writers, including Shakespeare, use the assassination of Julius Caesar as a climax; Empire opens with it, then follows a fictional gladiator named Tyrranus (Jonathan Cake, Inconceivable) as he protects and substitute-parents Caesar's nephew Octavius (Santiago Cabrera, Love and Other Disasters), fated to be emperor of Rome. Many have complained about how Empire plays fast and loose--very, very loose--with historical truth (the series labored over accurate details while running amok wit! h preposterous turns of plot, ranging from Octavius hiding out! in a gl adiatorial prison to the emperor-to-be's romance with a rosy-lipped vestal virgin). Of course, Shakespeare did his own embellishing and it worked out fine; alas, the writers of Empire are not our modern Shakespeares. The machinations of Rome play out with cheesy speeches and cornball declamations; even a powerhouse actress like Fiona Shaw (Empire obeys the Hollywood rule that hot-tempered Romans must only be played by emotionally repressed Brits) can't inject fire into this pompous, ponderous dialogue. The scheming between Octavius and Marc Anthony (Vincent Regan, Unleashed) briefly harkens back to the genuinely thrilling duplicities of I, Claudius, but only briefly. Cabrera looks like he'd be more comfortable with the machinations of The O.C.; Cake musters some dignity but in the last few hours does little but grimace, as if wondering where he'd parked his car. The dvd release has reintegrated some unrated, unaired scenes, but don't get yo! ur hopes up. The gladiatorial combat has all the finesse and suspense of locker room buddies snapping towels at each other; the lone orgy scene works hard at fleshpottiness, but nothing kills decadence like effort. There are only two extra features: A typically self-lauding making-of doc, accompanied by a demonstration of how Rome was assembled in a computer. --Bret Fetzer

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Blue Collar Comedy Tour Rides Again

• TESTED

For the first time ever, all three Blue Collar Comedy Tour movies are available to own in one complete set!DVD

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Filth and Wisdom

• FILTH AND WISDOM (DVD MOVIE)

Madonna s directorial debut!

Filth and Wisdom, is a hilariously sexy tale of three roommates who must delve into mischievous and naughty behavior in pursuit of bigger and brighter futures. A Ukrainian immigrant, A.K. (Eugene Hutz), finances his dreams of trans-continental superstardom with his band, Gogol Bordello, by turning tricks as a role-playing cross dresser. As A.K. literally whips the privileged of London into shape, he also secretly pines for the object of his affection, Holly (Holly Weston), as aspiring ballerina looking for her big break while moonlighting as a slippery stripper. Meanwhile, Juliette (Vicky McClure) steals medicine from her pharmaceutical job in hopes of quenching her dreams of helping Africa s youth. Filth and Wisdom is every bit as erotic and playful as it is poignant and touching, revealing the universal struggles we all face i! n our pursuits of happiness.

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Speck Products ShieldView Anti-Glare Screen Protector for iPhone 4 (3 Pack + 1 Bonus Back Film)

• Protects touchscreens from scratches and smudges
• Anti-glare for improved visibility
• Low-tack adhesive, easy to apply and remove
• Made precisely to fit on the screen and back of your iPhone 4
• Does not fit on the 1st gen "original" iPhone or iPhone 3G/3GS
• Made precisely to fit on the screen and back of your iPhone 4 (Does not fit on the 1st gen "original" iPhone or iPhone 3G/3GS)
• To guarantee you receive new, authentic Speck merchandise, please select "ships from and sold by Amazon.com" product only

Australia released, PAL/Region 4 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 5.1 ), English ( Dolby DTS 5.1 ), ANAMORPHIC WIDESCREEN (1.78:1), SPECIAL FEATURES: Anamorphic Widescreen, Commentary, Deleted Scenes, Interactive Menu, Scene Access, Sho! rt Film, Teaser(s), Trailer(s), SYNOPSIS: After high school graduation, the tradition of 'Schoolies Week' has emerged at a Queensland's Gold Coast resort in which 70,000 kids from all over Australia congregate for a hedonistic week of drinking, drugs, and sex. Five couples travelling to this party of a life-time are in for the ride of their lives. ...BlurredThere is an indescribable freedom that comes from physically deceiving the world.

If you are a fan of Halloween then you know the euphoria of pretending to be Frankenstein or a prostitute or Spiderman or Wonder Woman or a tiger or Dorothy or any old somebody or something that you are not.

To be free of social constraints, to melt the world as you know it for an evening, to be tantalized by uniqueness, causes tens of millions of people to be filled with glee on the last day of October. Some people spend a week's pay and a year's plotting to come up with the perfect costume that will blow their friends' mi! nds away.

For some reason, people experience untold am! ounts of elation when they get to pretend to be somebody who they are not.

Multiply that by 50,000 and you would come close to the level of euphoria you'd reach if you got to actually parade around in the skin of somebody else for a few days. Just imagine if, all of a sudden, with the mere injection of a needle, you became Asian or a midget or a man. A quick sting in the ribs and you're blonde or pretty or have an Afro. Just imagine becoming any of these combinations and infinitely more. Since you are no longer actually you, you are immediately freed up to talk to whomever you want to talk to without fear of them judging you. All of a sudden, you can take revenge on enemies, commit crimes and be lascivious without fear of repercussions. All of a sudden, you are free.

Imagine how much fun it would be to be anybody or anything you wanted to be!

And with absolutely no constraints, no restrictions, no limitations, no boundaries, no gravity!

Wouldn't! that be great?!

The novel blurred explores this scenario and makes the following analogy:

Drop a frog into a pot of water and he'll swim about contentedly. Fatten him up with a few flies and he'll be the happiest frog in the world. He will swim around blissfully, unaware that a fire has been built beneath his pot, only that it has become warmer, until he is finally cooked alive.

blurred turns this figurative frog into Sam Senior who swims naively in a social milieu that has had a fire applied to it for generations. Brilliant in his use of the innernet (an internet connection in the brain), Sam can navigate dozens of websites simultaneously. A NetJeopardy champion on a full ride at a prestigious university, Sam's future looks bright. Perpetually checking social sites while surfing the net, even as he converses with people nearby, Sam doesn't initially realize that he is being held in the ubiquitous sway of a constant communication ! that paradoxically leads to a lack of real communication, a la! ck of de ep communication.

However, Sam takes a class where he learns about a (possibly) mythological drug, DNA, which instantly alters a person's physical identity and is used primarily for either recreational sex, crime, or revenge. His professor teaches his class by having students read about "drops" he has taken where he engages in the above activities. Slowly, Sam begins to realize that the pot he is swimming in is getting too hot.

Mirrored by a future that suffers from a general dearth of love, Sam's loneliness is palpable. For, although the future is excessively promiscuous, love and sex are not always interchangeable. A hopeless romantic, Sam wants to wait for just the right woman before engaging in intercourse. Of course, with most people taking several sex partners a month, everyone mocks him as prude.

As the world begins to blur together, like water in a boiling pot, Sam quests after love. Buffeted about by reality, he finally finds the arms o! f a fascinating woman. Simpatico, they both realize that there is nothing in a transitory world but one another and the hope that their love can carry them through the darkness that is postmodernity.Kevin is a depressed executive living a predictable life. When he unexpectedly deviates from his paralyzing routine to be with another woman, he finds himself risking everything for redemption. Kylie, his frustrated and defeated wife, finds solace in a flirtatious encounter with a younger man that sparks a dangerous relationship. Both unable to pull themselves from their newfound happiness, they rationalize their actions to satisfy their guilt, coming ever closer to an emotionally shattering end for both themselves and their children, who are unwillingly swept into their downward spiral.Kevin is a depressed executive living a predictable life. When he unexpectedly deviates from his paralyzing routine to be with another woman, he finds himself risking everything for redemption. ! Kylie, his frustrated and defeated wife, finds solace in a fli! rtatious encounter with a younger man that sparks a dangerous relationship. Both unable to pull themselves from their newfound happiness, they rationalize their actions to satisfy their guilt, coming ever closer to an emotionally shattering end for both themselves and their children, who are unwillingly swept into their downward spiral.Speck Products ShieldView Anti-Glare Screen Protector for iPhone 4

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The Help Deluxe Edition

• Signed by the author

With more than 3 million copies sold, the #1 New York Times bestseller is now available in a special gift edition.

A modern classic, The Help has been a cultural touchstone for the millions of readers who have cheered on Skeeter, laughed with Minny, and hissed at Hilly. The noble and strong Aibileen has become a heroine for countless fans whose letters have poured in from all over the world. Now the bestselling and beloved book is available in a deluxe gift edition.

The Help has been on bestseller lists for longer than any other hardcover fiction title since The Da Vinci Code. It was USA Today's 2009 Book of the Year and has been published in thirty-seven countries around the world.

The movie The Help, produced by DreamWorks and 1492 Pictures, is scheduled for a major motion-picture release in A! ugust 2011.

This beautiful edition, destined to be passed down from generation to generation, is filled with special features, including:
-satin ribbon marker
-printed endpapers
-cloth bound
-two-color interior printing

This deluxe gift edition is the perfect gift for someone you love-or as a special treat for yourself.

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The Gay Deceivers

• Forty years before CHUCK AND LARRY were pronounced anything, Danny and Elliot were THE GAY DECEIVERS. To avoid being sent to Vietnam, Danny (Kevin Coughlin, star of MARYJANE and THE YOUNG RUNAWAYS) and Elliot (Larry Casey of THE EROTIC ADVENTURES OF ROBINSON CRUSOE) appear before the draft board claiming to be a homosexual couple. Although the boys are declared unfit for duty, a suspicious A

Tim Roth (Planet of the Apes) and Renee Zellweger (Bridget Jones's Diary) star in this riveting psychological thriller with shocking twists, "sharp dialogue and a cynical intelligence" (Chicago Tribune). Also starring Chris Penn, Michael Rooker, Ellen Burstyn and Rosanna Arquette and charged with unbridled suspense and powerful performances, this "absorbingly crafty murder mystery" (Entertainment Weekly) delves into the murky depths of truth and deception and delivers a stunning final scene that will jolt! your spine with chills! James Wayland (Roth) is nota typical murder suspect: he's fabulously wealthy, a Princeton graduate and has a genius-level I.Q.But Detectives Braxton (Chris Penn) and Kennesaw (Michael Rooker) sense that there's more than meets the eye when they interrogate him for the brutal killing of a beautiful call girl (Zellweger). As their search for the truth takes a suddenly dangerous turn, Braxton and Kennesaw realize that Wayland is a master manipulator, cleverly using their darkest secrets against them in a lethal, winner-take-all game that ignites a powder keg of deadly motives and shocking revelations.Interrogations, mind games, and murder: Jonas and Josh Pate’s post-modern thriller may be the bastard child of Reservoir Dogs and The Usual Suspects, but this devious offspring charts its own unpredictable course. Tim Roth dominates the film as the epileptic, absinthe-drinking, genius murder suspect who plays the lie detector like a violin! and turns the tables on the cops (dim bulb Chris Penn and sim! mering v eteran Michael Rooker) by stirring up their secrets, and they’ve got some doozies. The twisty little mystery is too clever for its own good, and the Pates neglect to stitch together the loose threads (like what exactly Ellen Burstyn’s raspy bookie is doing in all this), but they have a great eye and style to spare. The chilly stare and cool disposition of Roth’s borderline psychotic makes this battle of wits a game well worth watching. --Sean Axmaker"Deceiver" is the blistering debut album from Phoenix, AZ's The Word Alive who swapped singers, and are now fronted by Tyle...see site for more info."One of the best long-running SF series in existence" (Publishers Weekly) continues with the second novel in a brand-new Foreigner sequence.

The civil war among the alien Atevi has ended. Tabini-aiji, powerful ruler of the Western Association, along with Cajeiri, his son and heir, has returned to the Bujavid, his seat of power. But f! actions that remain loyal to the opposition are still present, and the danger these rebels pose is far from over.India, 1825: the country is being ravaged by the Thugees, cult members also known as "The Deceivers," who commit robbery and ritualistic murder. Appalled by their activities, English Captain William Savage undertakes a hazardous task: in disguise he will infiltrate their ranks. He is at constant risk of betrayal and vengeance and undergoes a disturbing psychological transformation as he experiences the cult's bloodlust firsthand. Starring Pierce Brosnan and stunningly photographed by Walter Lassally, The Deceivers is a gripping adventureâ€"reportedly based on a true storyâ€"that charts one man's daring exploits.The civil war among the alien Atevi has ended and Tabini-aiji, the ruler of the Western Association, has returned to power. Bren Cameron, Tabini's human paidhi, decides to return to his recovered home on the coast, but when Tabini's so! n Cajeiri, desperate for adventure, flees his responsibilities! to join Bren, Tabini sends the boy's great-grandmother to find him.

Even though the war is over, the opposition is still present, and a district once thought to be safe could now be a trap. With Bren, Cajeiri, and his great-grandmother under one roof...a trap is baited.

The civil war among the alien Atevi has ended and Tabini-aiji, the ruler of the Western Association, has returned to power. Bren Cameron, Tabini's human paidhi, decides to return to his recovered home on the coast, but when Tabini's son Cajeiri, desperate for adventure, flees his responsibilities to join Bren, Tabini sends the boy's great-grandmother to find him.

Even though the war is over, the opposition is still present, and a district once thought to be safe could now be a trap. With Bren, Cajeiri, and his great-grandmother under one roof...a trap is baited.

Forty years before CHUCK AND LARRY were pronounced anything, Danny and Elliot were THE GAY DECEIVERS.

T! o avoid being sent to Vietnam, Danny (Kevin Coughlin, star of MARYJANE and THE YOUNG RUNAWAYS) and Elliot (Larry Casey of THE EROTIC ADVENTURES OF ROBINSON CRUSOE) appear before the draft board claiming to be a homosexual couple.

Although the boys are declared unfit for duty, a suspicious Army colonel (Jack Starrett of BLAZING SADDLES) decides to confirm their story... forcing the bosom buddies to lease a love nest on the queer side of town.

When their lifestyle costs Elliot his job at a posh country club and Danny the trust of his stewardess girlfriend, the pair begins to wonder if beating the draft is worth all the trouble.

THE GAY DECEIVERS is a rare theatrical film from TV veteran Bruce Kessler (THE A-TEAM, BAYWATCH NIGHTS) and features a larger-than-life performance by Michael Greer (FORTUNE AND MEN S EYES), one of Hollywood s first openly gay actors.

Praised for its merciless lampoon of American homophobia and condemned for setting back th! e gay rights movement, THE GAY DECEIVERS is a unique satire in! the vei n of TOOTSIE and VICTOR/VICTORIA, set against the backdrop of a Hollywood that no longer exists and societal prejudices that haven t changed in half a century.

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Client 9: Rise and Fall of Eliot Spitzer

• CLIENT 9-RISE & FALL OF ELIOT SPITZER (DVD MOVIE)

This documentary feature takes an in-depth look at the rapid rise and dramatic fall of New York Governor Eliot Spitzer. Nicknamed "The Sheriff of Wall Street," when he was NY's Attorney General, Eliot Spitzer prosecuted crimes by America’s largest financial institutions and some of the most powerful executives in the country. After his election as Governor, with the largest margin in the state's history, many believed Spitzer was on his way to becoming the nation's first Jewish President. Then, shockingly, Spitzer’s meteoric rise turned into a precipitous fall when the New York Times revealed that Spitzer--the paragon of rectitude--had been caught seeing prostitutes. As his powerful enemies gloated, his supporters questioned the timing of it all: as the Sheriff fell, so did the financial markets, in a cataclysm that threatened to unravel t! he global economy. With unique access to the escort world as well as friends, colleagues and enemies of the ex-Governor (many of whom have come forward for the first time) the film explores the hidden contours of this tale of hubris, sex, and power.The fascinating documentary Client 9 has all the qualities of a Hollywood thriller: money, sex, and the destructive power of unbridled hubris. Eliot Spitzer had a meteoric rise as the aggressively progressive attorney general of New York State, gaining headlines and popularity for pursuing white-collar crime involving some astoundingly wealthy people and imposing regulatory reform on Wall Street. His success led him to become governor of New York--where his dictatorial style rubbed other politicians the wrong way. Could the enemies he made in the business and political worlds have had anything to do with the revelations that Spitzer patronized the Emperors Club VIP, a high-priced prostitution ring? Client 9 praises ! Spitzer's substantial achievements but doesn't turn a blind ey! e to his weaknesses and failures. The interviews--with Spitzer's enemies, escorts he'd hired, Emperors Club employees, and Spitzer himself--create a complex portrait of Spitzer and his career, as well as spinning out the suspense as revelations and investigations lead to catastrophe. However dubious Spitzer's moral juggling may have been, in the wake of the financial crisis, his Wall Street reforms--most of which were dismantled after his fall--now seem not merely prudent, but practically psychic. An engaging and illuminating movie. --Bret Fetzer

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The Death of Mr. Lazarescu Movie Poster (27 x 40 Inches - 69cm x 102cm) (2005) French -(Doru Ana)(Monica Dean)(Alina Berzunteanu)(Doru Boguta)(Mimi Branescu)(Mihai Bratila)

• The Death of Mr. Lazarescu Poster (27 x 40 Inches - 69cm x 102cm) French
• The Amazon image is how the poster will look; If you see imperfections they will also be in the poster
• Full Size Movie Poster; Same Size That You See In The Theater
• Size is provided by the manufacturer and may not be exact
• Packaged with care and shipped in sturdy reinforced packing material

The Death of Mr. Lazarescu Poster (27 x 40 Inches - 69cm x 102cm) (2005) French reproduction poster print

CAST: Doru Ana, Monica Dean, Alina Berzunteanu, Doru Boguta, Mimi Branescu, Mihai Bratila, Dragos Bucur, Robert Bumbes, Dan Chiriac; DIRECTED BY: Cristi Puiu; PRODUCER: Alexandru Munteanu, Bobby Paunescu, Anca Puiu;

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Gosford Park [Blu-ray]

• Format: AC-3, Color, DTS Surround Sound, Dubbed, Widescreen, Import
• Language: English, French
• Aspect Ratio: 1.85:1
• Run Time: 137 minutes
• Actors: Kristin Scott Thomas, Maggie Smith, Michael Gambon

The Academy Award winner for Best Original Screenplay, Gosford Park is a whodunit as only director Robert Altman could do it. As a hunting party gathers at the country estate, no one is aware that before the weekend is over, someone will be murdered - twice! The police are baffled but the all-seeing, all-hearing servants know that almost everyone had a motive. This critically-acclaimed murder mystery features a who's who of celebrated actors. With a diverse cast of characters - all with something to hide - it'll keep you guessing right to the surprising end. Gosford Park proves that murder can be such an inconvenience.Gosford Park finds director Robert Altma! n in sumptuously fine form indeed. From the opening shots, as the camera peers through the trees at an opulent English country estate, Altman exploits the 1930s period setting and whodunit formula of the film expertly. Aristocrats gather together for a weekend shooting party with their dutiful servants in tow, and the upstairs/downstairs division of the classes is perfectly tailored to Altman's method (as employed in Nashville and Short Cuts) of overlapping bits of dialogue and numerous subplots in order to betray underlying motives and the sins that propel them. Greed, vengeance, snobbery, and lust stir comic unrest as the near dizzying effect of brisk script turns is allayed by perhaps Altman's strongest ensemble to date. First and foremost, Maggie Smith is marvelous as Constance, a dependent countess with a quip for every occasion; Michael Gambon, as the ill-fated host, Sir William McCordle, is one of the most palpably salacious characters ever on screen; K! ristin Scott Thomas is perfectly cold yet sexy as Lady Sylvia,! Sir Wil liam's wife; and Helen Mirren, Emily Watson, and Clive Owen are equally memorable as key characters from the bustling servants' quarters below. Gosford Park manages to be fabulously entertaining while exposing human shortcomings, compromises, and our endless need for confession. --Fionn MeadeImport Blu-Ray/Region A Pressing... The Academy Award winner for Best Original Screenplay, Gosford Park is a whodunit as only director Robert Altman could do it. As a hunting party gathers at the country estate, no one is aware that before the weekend is over, someone will be murdered - twice! The police are baffled but the all-seeing, all-hearing servants know that almost everyone had a motive. This critically-acclaimed murder mystery features a who's who of celebrated actors. With a diverse cast of characters - all with something to hide - it'll keep you guessing right to the surprising end. Gosford Park proves that murder can be such an inconvenience.Gosford Park ! finds director Robert Altman in sumptuously fine form indeed. From the opening shots, as the camera peers through the trees at an opulent English country estate, Altman exploits the 1930s period setting and whodunit formula of the film expertly. Aristocrats gather together for a weekend shooting party with their dutiful servants in tow, and the upstairs/downstairs division of the classes is perfectly tailored to Altman's method (as employed in Nashville and Short Cuts) of overlapping bits of dialogue and numerous subplots in order to betray underlying motives and the sins that propel them. Greed, vengeance, snobbery, and lust stir comic unrest as the near dizzying effect of brisk script turns is allayed by perhaps Altman's strongest ensemble to date. First and foremost, Maggie Smith is marvelous as Constance, a dependent countess with a quip for every occasion; Michael Gambon, as the ill-fated host, Sir William McCordle, is one of the most palpably salacious c! haracters ever on screen; Kristin Scott Thomas is perfectly co! ld yet s exy as Lady Sylvia, Sir William's wife; and Helen Mirren, Emily Watson, and Clive Owen are equally memorable as key characters from the bustling servants' quarters below. Gosford Park manages to be fabulously entertaining while exposing human shortcomings, compromises, and our endless need for confession. --Fionn Meade

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House on Haunted Hill (Vincent Price) Movie Poster Print, 24x36

• Poster Title: House on Haunted Hill (Vincent Price)
• Size: 24 x 36 inches

Decorate your home or office with high quality posters. House on Haunted Hill (Vincent Price) is that perfect piece that matches your style, interests, and budget.

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Cold Dark Waters (Single (2002 remaster))

• Made in 2002
• Made by Hasbro
• Larami Super Soaker
• Blue and Purple Color Version, with Orange & Green
• Super Soaker Max D-3000

No one loses their mind instantly â€" Sanity seeps away one drop at a time. Yoshimi simply wanted a better life â€" for both herself and her daughter Ikuko. Unfortunately, such wishes may sometimes be hard to come by. The custody battle has grown embittered and hurtful, her new job is less than desirable, and Ikuko’s schoolwork has taken a turn for the worse. But, Yoshimi has something bigger to worry about. Something upstairs. Something cold and dank. Something that should have never been.Dark Water is Japanese horror auteur Hideo Nakata's return to the genre after his Ring cycle made you too scared to watch television ever again. Where Ringu dealt with a supernatural force wreaking revenge via technology, this fi! lm is a much more traditional ghost story. After winning a custody battle for her daughter, single mother Yoshimi moves into what she thinks is the perfect apartment with her daughter Hitomi. No sooner have they unpacked than strange things begin to disturb their new life. A water leak from the supposedly abandoned apartment above gets bigger and bigger, a child's satchel reappears even though Yoshimi throws it away several times, and she is haunted by the image of a child wearing a yellow mackintosh who bears a striking resemblance to a young girl who disappeared several years before. The conventional narrative follows Yoshimi's increasingly desperate attempts to discover who or what force is haunting her daughter, but the story's execution is far from predictable. Nakata is the master of understated suspense: there's always a feeling of motiveless malignancy that runs like an undercurrent through his films--far more frightening than out and out shocks--and here he also pr! actically drowns his audience in water imagery. The film is sa! turated; the relentless dripping in the apartment, the constant rain outside and the deliberately washed-out photography make any color, such as the yellow coat, seem incongruous and unsettling. Nakata also clears the film of unnecessary characters--this is an almost deserted Tokyo--preferring to concentrate the action on Yoshimi's rising hysteria as she struggles to understand what is happening and how to save her daughter. Granted, the special effects are somewhat unconvincing and the ending confused, but even so the result is a stylish and disquieting chiller that will do for bathtubs what his Ring films did for video recorders. --Kristen Bowditch2002 Hasbro Larami Limited Larami Super Soaker Max D 3000 Water Squirt-Gun (Dark Blue/Dark Purple Version w/Green & Orange)

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Dylan Dog Dead of Night Movie Fabric Wall Scroll Poster (31"x42") Inches

• Decorate your walls with this brand new sturdy Wall Scroll
• Durable fabric (much better than a regular poster)
• Easy to frame (comes with 2 hanging hooks) and makes a great gift too

Dylan Dog (Brandon Routh) is a world famous private detective who specializes in the supernatural. Armed with an edgy wit and carrying an arsenal of silver and wood-tipped bullets, Dylan must track down a dangerous artifact before a war ensues between his werewolf, vampire and zombie clients living undercover in the monster infested backstreets of New Orleans.At a time when it feels odd for a movie to not feature zombies or vampires, genre movies often need a little something extra in the tank to register. The firmly post-Whedon supernatural comedy Dylan Dog: Dead of Night doesn't exactly blaze new trails, but some appealing performances and a nicely off-kilter delivery help it glide ! over most of the well-trod areas. Based on the long-running comic series by Tiziano Sclavi (which also semi-inspired 1994's majestically loopy Dellamorte Dellamore), the story follows the character of Dylan Dog (Brandon Routh), an ex-paranormal investigator with a history of settling disputes between the warring paranormal factions roaming the streets of New Orleans. After a case involving a beautiful blonde (Anita Briem) reluctantly draws him back into the underworld, he discovers a plot by an upstart vampire (Taye Diggs) to rule and/or destroy the planet. Director Kevin Munroe, an animation veteran, brings a pleasantly cartoony sheen to the proceedings, maximizing his constrained budget to deliver an impressively diverse array of things that go bump in the night. (A scene involving a thrift shop catering exclusively to zombies is a gloppy highlight.) Throw in a winningly understated performance by Routh and a lulu of an extended cameo by a wolfed-out Peter Stormare! , and the ingredients are there for a breezily enjoyable gore ! comedy. Ultimately, what makes Dylan Dog worth seeking out is the presence of Diggs, a fine actor too often suavely constrained. Here, as a double-dealing monster, he goes gloriously unhinged, creating a creature of the night that stands out among the current hordes of mopey cinematic nosferatus. More, please. --Andrew WrightThe adventures of supernatural private eye dylan dog who seeks out the monsters of the louisiana bayou in his signature red shirt black jacket and blue jeans. Studio: Tcfhe Release Date: 07/26/2011 Starring: Brandon Routh Taye Diggs Run time: 108 minutes Rating: Pg13 Director: Kevin MunroeAt a time when it feels odd for a movie to not feature zombies or vampires, genre movies often need a little something extra in the tank to register. The firmly post-Whedon supernatural comedy Dylan Dog: Dead of Night doesn't exactly blaze new trails, but some appealing performances and a nicely off-kilter delivery help it glide over most of th! e well-trod areas. Based on the long-running comic series by Tiziano Sclavi (which also semi-inspired 1994's majestically loopy Dellamorte Dellamore), the story follows the character of Dylan Dog (Brandon Routh), an ex-paranormal investigator with a history of settling disputes between the warring paranormal factions roaming the streets of New Orleans. After a case involving a beautiful blonde (Anita Briem) reluctantly draws him back into the underworld, he discovers a plot by an upstart vampire (Taye Diggs) to rule and/or destroy the planet. Director Kevin Munroe, an animation veteran, brings a pleasantly cartoony sheen to the proceedings, maximizing his constrained budget to deliver an impressively diverse array of things that go bump in the night. (A scene involving a thrift shop catering exclusively to zombies is a gloppy highlight.) Throw in a winningly understated performance by Routh and a lulu of an extended cameo by a wolfed-out Peter Stormare, and the ingre! dients are there for a breezily enjoyable gore comedy. Ultimat! ely, wha t makes Dylan Dog worth seeking out is the presence of Diggs, a fine actor too often suavely constrained. Here, as a double-dealing monster, he goes gloriously unhinged, creating a creature of the night that stands out among the current hordes of mopey cinematic nosferatus. More, please. --Andrew WrightAt a time when it feels odd for a movie to not feature zombies or vampires, genre movies often need a little something extra in the tank to register. The firmly post-Whedon supernatural comedy Dylan Dog: Dead of Night doesn't exactly blaze new trails, but some appealing performances and a nicely off-kilter delivery help it glide over most of the well-trod areas. Based on the long-running comic series by Tiziano Sclavi (which also semi-inspired 1994's majestically loopy Dellamorte Dellamore), the story follows the character of Dylan Dog (Brandon Routh), an ex-paranormal investigator with a history of settling disputes between the warring paran! ormal factions roaming the streets of New Orleans. After a case involving a beautiful blonde (Anita Briem) reluctantly draws him back into the underworld, he discovers a plot by an upstart vampire (Taye Diggs) to rule and/or destroy the planet. Director Kevin Munroe, an animation veteran, brings a pleasantly cartoony sheen to the proceedings, maximizing his constrained budget to deliver an impressively diverse array of things that go bump in the night. (A scene involving a thrift shop catering exclusively to zombies is a gloppy highlight.) Throw in a winningly understated performance by Routh and a lulu of an extended cameo by a wolfed-out Peter Stormare, and the ingredients are there for a breezily enjoyable gore comedy. Ultimately, what makes Dylan Dog worth seeking out is the presence of Diggs, a fine actor too often suavely constrained. Here, as a double-dealing monster, he goes gloriously unhinged, creating a creature of the night that stands out among the curre! nt hordes of mopey cinematic nosferatus. More, please. --An! drew Wri ghtWall Scroll Poster

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Arthur/Arthur 2: On the Rocks

• Dudley does right! Dudley Moore is Arthur, the irrepressible, irresponsible playboy who faces marriage to a woman he detests to keep his fortune and then meets the right woman (Liza Minnelli) from the wrong side of the tracks. John Gielgud won an Academy Award (1981 Best Supporting Actor) as Arthur's acerbic valet. "I'll alert the media," he says when Arthur announces his intention to take a bath.

Russell Brand reinvents the role of lovable billionaire Arthur Bach, an irresponsible charmer who has always relied on two things to get by: his limitless fortune and lifelong nanny Hobson (Academy Award® winner* Helen Mirren) to keep him out of trouble. Now he faces his biggest challenge: choosing between an arranged marriage to ambitious corporate exec Susan (Jennifer Garner) that will ensure his lavish lifestyle, or an uncertain future with the one thing money can’t buy â€" Naomi (Greta Gerwig! ), his true love. With Naomi’s inspiration and some unconventional help from Hobson, Arthur will take the most expensive risk of his life and learn what it means to be a man in this re-imagining of the beloved Oscar®-winning* romantic comedy Arthur. As a high-concept Hollywood pitch, remaking the charming Dudley Moore 1981 comic romp about a man-child billionaire playboy with a rather serious drinking problem and installing Russell Brand as the new lead sounded like a pretty good idea. With Brand's reputation as a semi-reformed bad boy and actual recovering alcoholic/addict (not to mention his parlayed success from English standup fame to movies like Forgetting Sarah Marshall and Get Him to the Greek), he was a great casting choice to reprise Moore's devilishly innocent character. In many ways Brand is among the heirs to first-wave loony British comics like Moore, Peter Sellers, and Spike Milligan, along with actors like Steve Coogan, Eddie Izzard, and Rick! y Gervais. But something happened in the 30-year translation t! hat has deflated a lot of charm from the 2011 Arthur. Brand is probably the best thing about the movie, although he's never quite able to capture the characterization of a genuinely agreeable immature cad that Moore portrayed so adorably. This is Russell Brand playing another version of himself, which isn't such a bad thing, just not quite adorable enough. Brand is a smart, funny, and quick-on-his-feet improviser, and lot of that comes through, but he'd probably be the first to admit that he's no Dudley Moore.

The basics of the story remain unchanged. Arthur Bach is a trust fund child who is stuck in childhood, even though his pampered bubble of wealth now brings him toys like prostitutes, famous movie prop cars (the Batmobile, the Back to the Future DeLorean, the Scooby-Doo Mystery Machine, and others all make appearances), and all manner of grownup baubles at every fleeting whim. His stuck-in-childhood mode seems to be blamed on the loss of his doting fath! er at a very young age. But now at 30, his prim mother (Geraldine James) wants him to grow up, stop embarrassing the huge corporation that bears their name, and marry a respectable girl (Jennifer Garner) who will tame him and give the company a veneer of respectability. Upon threat of being cut off from the family fortune, Arthur reluctantly agrees, but then immediately falls for the real girl of his dreams, a lowly--and poor--Manhattan tour guide (Greta Gerwig), who falls for him too. She doesn't even care about the money. The issue of drink is handled somewhat differently 30 years after Dudley Moore made such a loveable and unrepentant chronic inebriant. Since it's kind of a more significant societal issue, the filmmakers haven't really been able to make it as much of a fun and funny part of who Arthur is (plus, Dudley Moore did a drunken shtick that was fairly classic, while there doesn't seem to be much difference between Brand's drunken and sober Arthur). Arthur's drin! king is treated as a genuine problem in this update, which als! o provid es comedy the dilemma of dealing with seriousness. Fortunately the sense of forward momentum, Brand's general likeability, and the pervading sunny tone cover up a lot. The other big selling point and major change from the original is the character of Hobson, who for Dudley Moore was a dour butler played by John Gielgud, and for Russell Brand is a disapproving nanny in the persona of Helen Mirren. Both Hobsons were best friends to Arthur, and Mirren's statuesque gravitas brings a lot to the authentic lifelong affection that seems real as handled by both actors. Overlooking some slackness in the script, Brand and Mirren give this bright, shiny updated Arthur longer legs than it might otherwise have had in striding cleverly into audiences' hearts. --Ted FryARTHUR - DVD MovieWhen you get caught between the moon and New York City (ahem), chances are you'll find yourself taking another look at this hit comedy starring Oscar-nominated Dudley Moore as the charmingly witty, pe! rpetually drunken millionaire Arthur Bach. Arthur falls in love with a waitress (Liza Minnelli) who doesn't care about his money, but unfortunately Arthur's stern father wants him to marry a Waspy prima donna. The young lush turns to his wise and loyal butler (Oscar-winner John Gielgud) for assistance and advice. Arthur was a huge hit when released in 1981, as was its Oscar-winning theme song by Christopher Cross. Few remember that the movie was, sadly, the only one ever made by writer-director Steve Gordon, who died less than a year after the film's release. Consistently funny and heartwarming, Arthur was hailed as a tribute to the great romantic comedies of the 1930s. --Jeff ShannonDudley does right! Dudley Moore is Arthur, the irrepressible, irresponsible playboy who faces marriage to a woman he detests to keep his fortune…and then meets the right woman (Liza Minnelli) from the wrong side of the tracks. John Gielgud won an Academy Award® (1981's B! est Supporting Actor) as Arthur's acerbic valet. "I'll alert t! he media ," he says when Arthur announces his intention to take a bath. The title tune also won Oscar® gold for Original Song. A business deal bilks Arthur out of his fortune and he must (egad!) get a job in the sequel Arthur 2 on the Rocks. But laughs are still the common currency as Moore, Minnelli and Gielgud return. Enjoy!Dudley does right! Dudley Moore is Arthur, the irrepressible, irresponsible playboy who faces marriage to a woman he detests to keep his fortune?and then meets the right woman (Liza Minnelli) from the wrong side of the tracks. John Gielgud won an Academy Award? (1981 Best Supporting Actor) as Arthur's acerbic valet. "I'll alert the media," he says when Arthur announces his intention to take a bath. The title tune also won Oscar? gold for Original Song. A business deal bilks Arthur out of his fortune and he must (egad!) get a job in the sequel. But laughs are still the common currency as Moore, Minnelli and Gielgud return. Enjoy!

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Blade Trinity (Unrated Version)

• The final battle begins and the trinity comes to an end! Blade is back and his enemies have grown in number since they resurrected their king, Dracula. Together with a new group of vampire hunters, called the Nightstalkers, led by Whistler's strong but beautiful daughter Abigail and the wise-cracking Hannibal, they must finally defeat the vampires or face inevitable extinction.Running Time: 123 mi

Get set for more action, more vampires and more Wesley Snipes in this second monster-hit installment in the Blade franchise. Aptly described by critic Roger Ebert as "a vomitorium of viscera," Blade II takes the express route to sequel success. So if you enjoyed Blade, you'll probably drool over this monster mash, which is anything but boring. Set (and filmed) in Prague, the plot finds a new crop of "Reaper" vampires threatening to implement a viral breeding program, and they're nearly! impervious to attacks by Blade (Wesley Snipes), his now-revived mentor Whistler (Kris Kristofferson), and a small army of "normal" vampires who routinely combust in a constant conflagration of spectacular special effects. It's up to Blade to conquer the über-vamps, and both Snipes and director Guillermo del Toro (Mimic) serve up a nonstop smorgasbord of intensely choreographed action, creepy makeup, and graphic ultraviolence. It's sadistic, juvenile, numbing, and--for those who dig this kind of thing--undeniably impressive. With the ever-imposing Ron Perlman as a vampire villain. --Jeff Shannon Import Blu-Ray/Region A pressing. Get set for more action, more vampires and more Wesley Snipes in this second monster-hit installment in the Blade franchise. When the world is threatened by a new and deadlier breed of super vampires, the legendary Blade and his mentor, Whistler, must join forces with the Bloodpack, an elite team of vampire warriors.Aptly descr! ibed by critic Roger Ebert as "a vomitorium of viscera," Bl! ade II takes the express route to sequel success. So if you enjoyed Blade, you'll probably drool over this monster mash, which is anything but boring. Set (and filmed) in Prague, the plot finds a new crop of "Reaper" vampires threatening to implement a viral breeding program, and they're nearly impervious to attacks by Blade (Wesley Snipes), his now-revived mentor Whistler (Kris Kristofferson), and a small army of "normal" vampires who routinely combust in a constant conflagration of spectacular special effects. It's up to Blade to conquer the über-vamps, and both Snipes and director Guillermo del Toro (Mimic) serve up a nonstop smorgasbord of intensely choreographed action, creepy makeup, and graphic ultraviolence. It's sadistic, juvenile, numbing, and--for those who dig this kind of thing--undeniably impressive. With the ever-imposing Ron Perlman as a vampire villain. --Jeff Shannon Get set for more action, more vampires and more Wesley Snipes in t! his second monster-hit installment in the Blade franchise. When the world is threatened by a new and deadlier breed of super vampires, the legendary Blade and his mentor, Whistler, must join forces with the Bloodpack, an elite team of vampire warriors.

DVD Features:
DVD ROM Features
Other:Dobly Digital EX 5.1 Surround Sound; DTS ES Surround Sound; Stereo Surround Sound

Aptly described by critic Roger Ebert as "a vomitorium of viscera," Blade II takes the express route to sequel success. So if you enjoyed Blade, you'll probably drool over this monster mash, which is anything but boring. Set (and filmed) in Prague, the plot finds a new crop of "Reaper" vampires threatening to implement a viral breeding program, and they're nearly impervious to attacks by Blade (Wesley Snipes), his now-revived mentor Whistler (Kris Kristofferson), and a small army of "normal" vampires who routinely combust in a constant conflagration of spectac! ular special effects. It's up to Blade to conquer the über! -vam ps, and both Snipes and director Guillermo del Toro (Mimic) serve up a nonstop smorgasbord of intensely choreographed action, creepy makeup, and graphic ultraviolence. It's sadistic, juvenile, numbing, and--for those who dig this kind of thing--undeniably impressive. With the ever-imposing Ron Perlman as a vampire villain. --Jeff Shannon The final battle begins and the trinity comes to an end! Blade is back and his enemies have grown in number since they resurrected their king, Dracula. Together with a new group of vampire hunters, called the Nightstalkers, led by Whistler's strong but beautiful daughter Abigail and the wise-cracking Hannibal, they must finally defeat the vampires or face inevitable extinction.Even skeptical fans of the Blade franchise will enjoy sinking their teeth into Blade: Trinity. The law of diminishing returns is in full effect here, and the franchise is wearing out its welcome, but let's face it: any movie that features Je! ssica Biel as an ass-kicking vampire slayer and Parker Posey--yes, Parker Posey!--as a vamping vampire villainess can't be all bad, right? Those lovely ladies bring equal measures of relief and grief to Blade, the half-human, half-vampire once again played, with tongue more firmly in stone-cold cheek, by Wesley Snipes. With series writer David S. Goyer in the director's chair, the film is calculated for mainstream appeal, trading suspenseful horror for campy humor and choppy, nonsensical action. The franchise still offers some intriguing ideas, however, including Drake (Dominic Purcell), the original vampire, whose blood contains the secret that could destroy all blood-suckers in a plot that incorporates a sinister "blood farm" where humans are held--and drained--in suspended animation. And Biel's wise-cracking sidekick (Ryan Reynolds) in her cadre of "Nightstalkers" provides comic relief in a series that's grown increasingly dour. All of which makes Blade: Trinity a! love-it-or-hate-it sequel... supposedly the last in a trilogy! , but th e ending suggests otherwise. --Jeff Shannon

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Carancho - Movie Poster - 11 x 17 Inch (28cm x 44cm)

• This poster may have a border as the image contained may not be 11 x 17 inches.
• This poster measures approx. 11 x 17 inches from corner to corner.
• Rolled and shipped in a sturdy tube.
• This poster is from Carancho (2010)

Sosa (Ricardo Darin, The Secret in Their Eyes) is an ambulance-chasing personal injury attorney with questionable ethics. Lujan (Martina Gusman, Lion's Den) is a young, idealistic country doctor, new to the city. After Lujan and Sosa's paths repeatedly cross, the two form an unlikely romance that is threatened by Sosa s turbulent past. With traffics accidents as the number one cause of deaths in Argentina, bodies are currency and a black market strives to get rich from the personal tragedies that literally litter the streets.(Drama/Thriller) A shy taxidermist who secretly dreams of executing the perfect robbery stumbles upon an opportuni! ty. Caught up in a world of complexities and frightening violence, his lack of experience puts him in real danger. Plus, he is an epileptic. Before each seizure he is visited by the "aura'' -- a paradoxical moment of confusion and enlightenment where the past and future seem to blend. Argentina's official submission, Best Foreign Language Film for the 2006 Academy Awards.The Aura will go down in history as a great film with a tragic loss attached to it. This totally original and deeply involving thriller was the second and final feature film by Fabián Bielinsky, a gifted Argentinian writer-director whose debut feature, Nine Queens, earned global acclaim and introduced Bielinsky as a talent to watch. Sadly, Bielinsky died of a sudden heart attack in June 2006, at age 47, and we'll never know what other great films he might have made. The Aura stands as testament to Bielinsky's masterful skill, on full display in this riveting study of a sad and lonely t! axidermist named Espinosa (played by Ricardo Darín, who was a! lso in < i>Nine Queens) who compensates for his disappointing life by imagining elaborate crimes that he's planned to perfection. When a hunting accident results in the death of a criminal mastermind who'd been planning a casino heist, the taxidermist (who possesses a photographic memory and suffers from occasional blackouts caused by epileptic seizures) assumes the dead man's role, improvising his way through the crime-plot with untrustworthy partners and the constant threat of danger.

The film's title refers to the semi-conscious fugue state that precedes the taxidermist's epileptic seizures, inducing a sense of disorientation and dread that Bielinsky uses to deepen the film's psychological impact. Darín's dour, worried expression is a fascinating focal point for his character's unpredictable journey into the heart of darkness, and The Aura's primary setting, in the thick forest of Patagonia, is a perfect complement to the film's ominous atmosphere and deliberately ! paced intrigue. As far-fetched as it may seem at times, the plot's heightened reality remains utterly convincing, and Bielinsky demonstrates an uncanny knack for escalating suspense in quietly intense situations. From start to finish, The Aura is clearly the work of a filmmaker with seemingly limitless potential, and we can only wonder about the excellent films Bielinsky would have made had he lived. Unfortunately, two slight DVD extras on The Aura give us no insight into Bielinsky's too-short career: the "making of" featurette is very brief and consists primarily of an interview with Ricardo Darín, and the behind-the-scenes musical montage is an equally short and perfunctory assembly of production video set to the moody, electronic tones of Lucio Godoy's subtly effective score. --Jeff ShannonAcademy Award® nominee Javier Bardem is Uxbal, a man on the wrong side of the law who struggles to provide for his children on the dangerous streets of Barcelona! . As fate encircles him, Uxbal learns to accept the realities ! of life, whether bright, bad â€" or biutiful â€" in this unforgettable Academy Award®-nominated film from director Alejandro González Iñárritu (Amores Perros, 21 Grams and Babel).A heartbreakingly direct performance by Javier Bardem anchors Biutiful, a film from Mexican auteur Alejandro González Iñárritu (Babel, 21 Grams). Uxbal (Bardem) is not an admirable man: he's a criminal middleman, helping human traffickers and illicit street peddlers in Barcelona. But in the thick of his corrupt and compromised world, Uxbal strives to do some modest good: he demands heaters for the cold basement where illegal Chinese laborers sleep and he carefully scrapes together money for his children, whom he deeply adores. On top of all this, Uxbal can commune with the recently dead, and tries to pass on reassurance to the bereaved. When Uxbal himself is diagnosed with severe cancer, he desperately tries to leave behind something better for his children. ! This plot summary paints a bleak picture, and there's no question this is--much like Iñárritu's other films, including Amores Perros--an emotionally harrowing experience. But Biutiful is also visually rich and deeply humane, and holds moments of grace that can only be found in sadness and loss. The entire cast brings a fullness of life to all of the characters, no matter how briefly they appear, but Bardem almost never leaves the screen and carries the movie with magnetic force. --Bret FetzerA sensation at the 2010 Cannes Film Festival, Korean director Im Soo-sang's remake of the classic 1960 film is the story of Eun-yi (Jeon Do-yeon, Cannes 2007 Best Actress Award winner for Secret Sunshine), a young innocent hired to care for a wealthy pregnant woman. Eun-yi's presence attracts the amorous attentions of Hoon, the master of the house, and he begins an affair with her. Igniting the jealousy of an older maid who knows many family secrets, Eun-yi quickl! y finds herself in the center of a familial power struggle. Wi! th THE H OUSEMAID Im Soo-sang brings both a keen eye for the dynamics of sex and power and a lush, luxurious sense of style.Taking equal inspiration from the art house and the grind house, The Housemaid is a gorgeous and deliciously perverse showcase of cool, classy Korean cinema. This blend of refined melodrama and tawdry erotica is based on an eponymous 1960 film that's generally regarded as a classic in Korean film history. Even though the term remake doesn't really fit, the plot elements are essentially the same: a young girl is hired to be nanny and maid to a rich, aristocratic couple and ends up leaving both the family and herself in ruins. But director Sang-soo Im skews the sociological fundamentals to make a more pointed commentary on class division by casting the elite employers as the evil corrupters of a blank-slated girl who knows only right and innocence--at first, that is.

Eun-yi (Jeon Do-yeon) joins the household of a slick, wealthy businessman and hi! s very pregnant wife. Under the tutelage of an older housekeeper, Eun-yi performs her duties impeccably and considers herself lucky to have the job. As the elegant tone of the goings-on in these opulent surroundings grows more tense, the husband strays from his wife's bed to Eun-yi's quarters, where he asserts his dominion with masterful entitlement. Her bewilderment quickly melts, and she becomes addicted to his adulterous visitations. But nothing that goes on escapes the eyes of the older housekeeper, or the young wife's evil mother, who turns her daughter into a pawn in an increasingly complex sexual conspiracy. When Eun-yi gets pregnant herself, the simmering pot of melodramatic tension nearly bursts, held in check only by the skill of director Sang-soo Im and a cast that keeps the titillation at a gentle simmer. Because the cruelty and kinkiness are kept so coolly restrained, the Grand Guignol finale comes as that much more of a delirious shock. The film's visual style! celebrates the gothic as well as the flamboyant aspects of th! e story, and is significantly bolstered by the lush production design and supple cinematography. Though couched in an age-old fable of upper-class power and sexual exploitation, The Housemaid makes room for much more in its many tawdry, dark corners. --Ted FryCarancho Carancho Director: Pablo Trapero. Actores: Ricardo Darin, Martina Gusman, Carlos Weber, José Luis Arias, Loren Acuña, Gabriel Almirón. Música: Género: Drama, Thriller. Año: 2010. Duración: 107 min. Nacionalidad: Argentina, Chile, Francia, Corea del Sur. Calificación: NRM 16 años Imagen: Color - PAL - Widescreen 2.35:1 - 16:9. Audio: Español (Dolby Digital 5.1). Subtitulos: No Dispone. Región: 2. Edición: Normal Discos: 1 Distribuidora: Cameo MediaUlrik (Stellan Skarsgard - Good Will Hunting, Mamma Mia!) is a somewhat gentle man, as far as gangsters go. Reluctantly back on the streets following a stint in prison, Ulrik's boss greets him with open arms and a plan to settle an old score. With a demented sense of professional pride, Ulrik's boss sets in motion a plan to right the wrong done to his star employee. The problem is Ulrik would rather go about his own business, however mundane, than get involved with his ragtag colleagues again. This dark feel good comedy delivers laughs and gasps in equal measure.

In Norwegian with English SubtitlesAs the title promises, Stellan Skarsgård plays a somewhat gentle man in this deadpan Norwegian comedy. After 12 years behind bars for murder, Skarsgård's Ulrik, whose ratty ponytail contributes to his sad-sack demeanor, reunites with crime boss Jensen (Bjørn Floberg, Skarsgård's Insomnia nemesis), who sets him up! with a mechanic gig and a rented room. Unfortunately, his favors don't come for free: Jensen expects Ulrik to kill the snitch who reported his crime, except his legit new life keeps getting in the way. First, his stone-faced landlady expects sexual favors for her hospitality, which Ulrik dutifully obliges. Then, he reconnects with his estranged son, whose fiancée is expecting their first child. When the garage manager, who has a heart condition, ends up in the hospital, Ulrik steps in to run the joint with blunt bookkeeper Merete. After he rescues her from an abusive ex, she asks him out. Though his supervisor warned him to keep his dealings with her professional, Ulrik can't resist, thus putting his job in jeopardy. At that point, everything falls apart, and Ulrik grudgingly returns to the criminal life, knowing it will only push his son further away. From start to finish, Skarsgård makes all the right moves, though the script lets him down whenever a depressed woman fl! ings herself at him, resulting in some seriously un-sexy sex s! cenes, b ut Hans Petter Moland, who directed the Swedish actor in Zero Kelvin and Aberdeen, wraps up Ulrik's moral quandary in dramatically satisfying and darkly amusing fashion. --Kathleen C. FennessyCORAL, ROMÁNTICA EMPEDERNIDA, ESTÁ DISPUESTA A DARLO TODO POR NICOLÁS, UN HÁBIL EXTORSIONADOR DE MUJERES A QUIEN CONOCE POR EL ANUNCIO DE UNA REVISTA. AL DEVELAR SUS PROPIAS CARENCIAS AFECTIVAS, ENCUENTRA CADA UNO EN EL OTRO EL COMPLEMENTO IDEAL A SUS VIDAS VACÍAS. ENTONCES SUS CAMINOS SE JUNTAN IRREMEDIABLEMENTE EN UN PACTO AMOROSO QUE CONVIENE A LOS DOS, PERO TERMINA POR CONVERTIRSE EN UN PASEO PERVERSO DE EMOCIONES Y SENTIMIENTOS OBSESIVOS, QUE LOS HACE PELIGROSOS SIN HABERLO PLANEADO. POR MÁS INCONCIENCIA QUE ACCIDENTE, DE PRONTO, CORAL Y NICOLÁS SE DAN CUENTA DE QUE MÁS ALLÁ DEL AMOR Y SUS DESEOS, ESTARÁN PARA SIEMPRE UNIDOS POR LA SANGRE.MovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more! : tens of thousands of items to choose from. We also offer a full selection of framed and laminated posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon.

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Lamb: The Gospel According to Biff, Christ's Childhood Pal

• ISBN13: 9780380813810
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

The apostle Paul writes that we are to be transformed, but for many Christians, figuring out how to approach spiritual transformation can be elusive. Bestselling author Jerry Bridges helps us understand that we have available to us the ultimate power source for true spiritual growth: the gospel.

In The Transforming Power of the Gospel, Bridges guides you through a thorough examination of:

• what the biblical meaning of grace is and how it applies to your life
• how Jesus’ work in His life and death applies to the believer in justification and adoption
• why basic spiritual disciplines are necessary for spiritual growth!
• what role the Holy Spirit plays in both definitive and progressive sanctification

In this Gospel Coalition booklet, D. A. Carson and Timothy Keller recount the origins of the Gospel Coalition and the purpose for which it was formed: to propagate a robust understanding of the gospel’s content and to encourage gospel-centered ministry. 

Carson and Keller, founders of the coalition and editors of the booklet series, form a theological foundation for the organization’s mission and detail a vision for ministry in a changing world. Ministry today must entail both Bible-centered preaching as well as outreach to the needy. Grounding their vision in the cross, Carson and Keller show how biblical theology flows toward Jesus and the gospel. They also demonstrate how Christian ministry flows from Jesus and the gospel. This summary of gospel-centered ministry is a great resource for pastors and others interested in the Gospe! l Coalition.

Gospel-Centered Ministry of! fers a t houghtful explanation for the Gospel Coalition’s confessional statement. The Gospel Coalition is an evangelical renewal movement dedicated to a scripture-based reformation of ministry practices. 

In this Gospel Coalition booklet, D. A. Carson and Timothy Keller recount the origins of the Gospel Coalition and the purpose for which it was formed: to propagate a robust understanding of the gospel’s content and to encourage gospel-centered ministry. 

Carson and Keller, founders of the coalition and editors of the booklet series, form a theological foundation for the organization’s mission and detail a vision for ministry in a changing world. Ministry today must entail both Bible-centered preaching as well as outreach to the needy. Grounding their vision in the cross, Carson and Keller show how biblical theology flows toward Jesus and the gospel. They also demonstrate how Christian ministry flows from Jesus and the gospel. This summar! y of gospel-centered ministry is a great resource for pastors and others interested in the Gospel Coalition.

Gospel-Centered Ministry offers a thoughtful explanation for the Gospel Coalition’s confessional statement. The Gospel Coalition is an evangelical renewal movement dedicated to a scripture-based reformation of ministry practices. 

Contemporary evangelicals have built a 'salvation culture' but not a 'gospel culture.' Evangelicals have reduced the gospel to the message of personal salvation. This book makes a plea for us to recover the old gospel as that which is still new and still fresh. The book stands on four arguments: that the gospel is defined by the apostles in 1 Corinthians 15 as the completion of the Story of Israel in the saving Story of Jesus; that the gospel is found in the Four Gospels; that the gospel was preached by Jesus; and that the sermons in the Book of Acts are the best example of gospeling in the New Testament. The King ! Jesus Gospel ends with practical suggestions about evangelism ! and abou t building a gospel culture.

"Preach the Gospel always.  Use words if necessary." - St. Francis of Assisi

It's 1998 and Richard Stearns' heart is breaking as he sits in a mud hut and listens to the story of an orphaned child in Rakai, Uganda.  His journey to this place took more than a long flight from the United States to Africa.  It took answering God's call on his life, a call that hurtled him out of his presidential corner office at Lenox-America's finest tableware company-to this humble corner of Uganda. 

This is a story of how a corporate CEO faced his own struggle to obey God whatever the cost, and his passionate call for Christians to change the world by actively living out their faith.  Using his own journey as an example, Stearns explores the hole that exists in our understanding of the Gospel. 

Two thousand years ago, twelve people changed the world.  Stearns believes it can happen again.

ECPA 2010 Christian Book o! f the Year Award Winner!

Too few people attending church today, even those in evangelical churches, are exposed to the gospel explicitly. Sure, many will hear about Jesus, and about being good and avoiding bad, but the gospel message simply isn’t thereâ€"at least not in its specificity and its fullness.

Inspired by the needs of both the overchurched and the unchurched, and bolstered by the common neglect of the explicit gospel within Christianity, Matt Chandler has written this punchy treatise. He begins with the specifics of the gospelâ€"outlining what it is and what it is notâ€"and then switches gears to focus on the fullness of the gospel and its massive implications on both personal and cosmic levels.

Recognizing our tendency to fixate on either the micro or macro aspects of the gospel, Chandler also warns us of the dangers on either sideâ€"of becoming overly individualistic or syncretistic. Here is a call to true Christianity, to know ! the gospel explicitly, and to unite the church on the amazing ! grounds of the good news of Jesus!

John Charles Ryle (May 10, 1816 - June 10, 1900) was an evangelical Anglican clergyman and first Bishop of Liverpool. He was renowned for his powerful preaching and extensive tracts.John Charles Ryle (May 10, 1816 - June 10, 1900) was an evangelical Anglican clergyman and first Bishop of Liverpool. He was renowned for his powerful preaching and extensive tracts.

The birth of Jesus has been well chronicled, as have his glorious teachings, acts, and divine sacrifice after his thirtieth birthday. But no one knows about the early life of the Son of God, the missing years -- except Biff, the Messiah's best bud, who has been resurrected to tell the story in the divinely hilarious yet heartfelt work "reminiscent of Vonnegut and Douglas Adams" (Philadelphia Inquirer).

Verily, the story Biff has to tell is a miraculous one, filled with remarkable journeys, magic, healings, kung fu, corpse reanimations, demons, and hot babes. Even the cons! iderable wiles and devotion of the Savior's pal may not be enough to divert Joshua from his tragic destiny. But there's no one who loves Josh more -- except maybe "Maggie," Mary of Magdala -- and Biff isn't about to let his extraordinary pal suffer and ascend without a fight.

While the Bible may be the word of God, transcribed by divinely inspired men, it does not provide a full (or even partial) account of the life of Jesus Christ. Lucky for us that Christopher Moore presents a funny, lighthearted satire of the life of Christ--from his childhood days up to his crucifixion--in Lamb: The Gospel According to Biff, Christ's Childhood Pal. This clever novel is surely blasphemy to some, but to others it's a coming-of-age story of the highest order.

Joshua (a.k.a. Jesus) knows he is unique and quite alone in his calling, but what exactly does his Father want of him? Taking liberties with ancient history, Moore works up an adventure tale as Biff and Joshua seek out! the three wise men so that Joshua can better understand what ! he is su pposed to do as Messiah. Biff, a capable sinner, tags along and gives Joshua ample opportunities to know the failings and weaknesses of being truly human. With a wit similar to Douglas Adams, Moore pulls no punches: a young Biff has the hots for Joshua's mom, Mary, which doesn't amuse Josh much: "Don't let anyone ever tell you that the Prince of Peace never struck anyone." And the origin of the Easter Bunny is explained as a drunken Jesus gushes his affection for bunnies, declaring, "Henceforth and from now on, I decree that whenever something bad happens to me, there shall be bunnies around."

One small problem with the narrative is that Biff and Joshua often do not have distinct voices. A larger difficulty is that as the tone becomes more somber with Joshua's life drawing to its inevitable close, the one-liners, though not as numerous, seem forced. True to form, Lamb keeps the story of Joshua light, even after its darkest moments. --Michael Ferch

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Difficult Conversations: How to Discuss What Matters Most

• ISBN13: 9780143118442
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

In 1964, Jacqueline Kennedy recorded seven historic interviews about her life with John F. Kennedy. Now, for the first time, they can be heard and read in this deluxe, illustrated book and 8-CD set.

Shortly after President John F. Kennedy's assassination, with a nation deep in mourning and the world looking on in stunned disbelief, Jacqueline Kennedy found the strength to set aside her own personal grief for the sake of posterity and begin the task of documenting and preserving her husband's legacy. In January of 1964, she and Robert F. Kennedy approved a planned oral-history project that would capture their first-hand accounts of the late President as well as the recollections of th! ose closest to him throughout his extraordinary political career. For the rest of her life, the famously private Jacqueline Kennedy steadfastly refused to discuss her memories of those years, but beginning that March, she fulfilled her obligation to future generations of Americans by sitting down with historian Arthur Schlesinger, Jr., and recording an astonishingly detailed and unvarnished account of her experiences and impressions as the wife and confidante of John F. Kennedy. The tapes of those sessions were then sealed and later deposited in the John F. Kennedy Presidential Library and Museum upon its completion, in accordance with Mrs. Kennedy's wishes.

The resulting eight and a half hours of material comprises a unique and compelling record of a tumultuous era, providing fresh insights on the many significant people and events that shaped JFK's presidency but also shedding new light on the man behind the momentous decisions. Here are JFK's unscripted opinion! s on a host of revealing subjects, including his thoughts and ! feelings about his brothers Robert and Ted, and his take on world leaders past and present, giving us perhaps the most informed, genuine, and immediate portrait of John Fitzgerald Kennedy we shall ever have. Mrs. Kennedy's urbane perspective, her candor, and her flashes of wit also give us our clearest glimpse into the active mind of a remarkable First Lady.

In conjunction with the fiftieth anniversary of President Kennedy's Inauguration, Caroline Kennedy and the Kennedy family are now releasing these beautifully restored recordings on CDs with accompanying transcripts. Introduced and annotated by renowned presidential historian Michael Beschloss, these interviews will add an exciting new dimension to our understanding and appreciation of President Kennedy and his time and make the past come alive through the words and voice of an eloquent eyewitness to history.

How Do You Communicate When the Stakes Are High?

Learn how with these TWO GROUNDBREAKING B! OOKS in ONE eBOOK PACKAGE!

In any organization, the best laid plans boil down to one simple thing: how well we come together to bring them to fruition. But more often than not, we end up dealing with people who come across as disagreeable, stubborn, or even obstructive. And emotions flare up. The only way to get things done is to step up to the plate . . . by stepping back from our emotions.

Written by a team of experts from the world-renowned training firm VitalSmarts, these two books provide the skills you need to make every interaction fruitful and productive in even the most emotional situations.

eBook package includes:

Crucial Conversations
The New York Times bestselling Crucial Conversations has sparked a revolution in how people communicate to achieve common goals. Now, the revised second edition builds on this decade-long legacy of success to get professionals at every level and in all professions! talking with partners, bosses, employees, clientsâ€"no! t at< /I> them.

Learn proven methods for turning the focus of hot-button discussionsâ€"job performance, customer satisfaction, interpersonal mattersâ€"away from subjective points of view and toward productive, mutually beneficial conclusions.

“[Crucial Conversations] draws our attention to those defining moments that literally shape our lives, our relationships, and our world. . . . This book deserves to take its place as one of the key thought leadership contributions of our time.”
â€"from the Foreword by Stephen R. Covey, author of The 7 Habits of Highly Effective People

“The quality of your life comes out of the quality of your dialogues and conversations. Here’s how to instantly uplift your crucial conversations.”
â€"Mark Victor Hansen, co-creator of the #1 New York Times bestselling series Chicken Soup for the Soul®

Crucial Confrontations
Behind the problems that routinely ! plague families, organizations, and teams are individuals who break promises, miss deadlines, or just plain behave badly. Anyone brave enough to confront these people head on usually does a poor job and creates a whole new set of problems.

In Crucial Confrontations, reveals research that proves just how costly this dynamic is: it saps 20 to 50 percent of performance from organizations and accounts for up to 90 percent of all divorces. Crucial Confrontations teaches you the skills to permanently resolve failed promises and missed deadlines, transform broken rules and bad behavior into productive accountability, and strengthen relationships while solving problems.

"Unleash the true potential of a relationship or organization and move it to the next level. . . ."
â€"Ken Blanchard, coauthor of The One Minute Manager® and The Secret: What Great Leaders Knowâ€"and Do

"The most recommended and most effective resource in m! y library."
â€"Stacey Allerton Firth, Vice President, Hu! man Reso urces, Ford of Canada

"Brilliant strategies for those difficult discussions at home and in the workplace. . . ."
â€"Soledad O’Brien, former cohost of CNNs Morning Edition

"This book is the real deal. . . . Read it, underline it, learn from it. Its a gem."
â€"Mike Murray, VP Human Resources and Administration, Microsoft (retired)

How Do You Communicate When the Stakes Are High?

Learn how with these TWO GROUNDBREAKING BOOKS in ONE eBOOK PACKAGE!

In any organization, the best laid plans boil down to one simple thing: how well we come together to bring them to fruition. But more often than not, we end up dealing with people who come across as disagreeable, stubborn, or even obstructive. And emotions flare up. The only way to get things done is to step up to the plate . . . by stepping back from our emotions.

Written by a team of experts from the world-renowned training firm VitalSmarts, these two! books provide the skills you need to make every interaction fruitful and productive in even the most emotional situations.

eBook package includes:

Crucial Conversations
The New York Times bestselling Crucial Conversations has sparked a revolution in how people communicate to achieve common goals. Now, the revised second edition builds on this decade-long legacy of success to get professionals at every level and in all professions talking with partners, bosses, employees, clientsâ€"not at them.

Learn proven methods for turning the focus of hot-button discussionsâ€"job performance, customer satisfaction, interpersonal mattersâ€"away from subjective points of view and toward productive, mutually beneficial conclusions.

“[Crucial Conversations] draws our attention to those defining moments that literally shape our lives, our relationships, and our world. . . . This book deserves to take it! s place as one of the key thought leadership contributions of ! our time .”
â€"from the Foreword by Stephen R. Covey, author of The 7 Habits of Highly Effective People

“The quality of your life comes out of the quality of your dialogues and conversations. Here’s how to instantly uplift your crucial conversations.”
â€"Mark Victor Hansen, co-creator of the #1 New York Times bestselling series Chicken Soup for the Soul®

Crucial Confrontations
Behind the problems that routinely plague families, organizations, and teams are individuals who break promises, miss deadlines, or just plain behave badly. Anyone brave enough to confront these people head on usually does a poor job and creates a whole new set of problems.

In Crucial Confrontations, reveals research that proves just how costly this dynamic is: it saps 20 to 50 percent of performance from organizations and accounts for up to 90 percent of all divorces. Crucial Confrontations teaches you the ski! lls to permanently resolve failed promises and missed deadlines, transform broken rules and bad behavior into productive accountability, and strengthen relationships while solving problems.

"Unleash the true potential of a relationship or organization and move it to the next level. . . ."
â€"Ken Blanchard, coauthor of The One Minute Manager® and The Secret: What Great Leaders Knowâ€"and Do

"The most recommended and most effective resource in my library."
â€"Stacey Allerton Firth, Vice President, Human Resources, Ford of Canada

"Brilliant strategies for those difficult discussions at home and in the workplace. . . ."
â€"Soledad O’Brien, former cohost of CNNs Morning Edition

"This book is the real deal. . . . Read it, underline it, learn from it. Its a gem."
â€"Mike Murray, VP Human Resources and Administration, Microsoft (retired)

The New York Times bestseller that changed! the way millions communicate

“[Crucial! Convers ations] draws our attention to those defining moments that literally shape our lives, our relationships, and our world. . . . This book deserves to take its place as one of the key thought leadership contributions of our time.”
â€"from the Foreword by Stephen R. Covey, author of The 7 Habits of Highly Effective People

“The quality of your life comes out of the quality of your dialogues and conversations. Here’s how to instantly uplift your crucial conversations.”
â€"Mark Victor Hansen, cocreator of the #1 New York Times bestselling series Chicken Soup for the Soul®

The first edition of Crucial Conversations exploded onto the scene and revolutionized the way millions of people communicate when stakes are high. This new edition gives you the tools to:

• Prepare for high-stakes situations
• Transform anger and hurt feelings into powerful dialogue
• Make it safe to talk about almost ! anything
• Be persuasive, not abrasive

We attempt or avoid difficult conversations every day-whether dealing with an underperforming employee, disagreeing with a spouse, or negotiating with a client. From the Harvard Negotiation Project, the organization that brought you Getting to Yes, Difficult Conversations provides a step-by-step approach to having those tough conversations with less stress and more success. you'll learn how to:

• Decipher the underlying structure of every difficult conversation
• Start a conversation without defensiveness
• Listen for the meaning of what is not said
• Stay balanced in the face of attacks and accusations
• Move from emotion to productive problem solvingWe've all been there: We know we must confront a coworker, store clerk, or friend about some especially sticky situation--and we know the encounter will be uncomfortable. So we repeatedly mull it over until we can no ! longer put it off, and then finally stumble through the confr! ontation . Difficult Conversations, by Douglas Stone, Bruce Patton, and Sheila Heen, offers advice for handling these unpleasant exchanges in a manner that accomplishes their objective and diminishes the possibility that anyone will be needlessly hurt. The authors, associated with Harvard Law School and the Harvard Project on Negotiation, show how such dialogues actually comprise three separate components: the "what happened" conversation (verbalizing what we believe really was said and done), the "feelings" conversation (communicating and acknowledging each party's emotional impact), and the "identity" conversation (expressing the situation's underlying personal meaning). The explanations and suggested improvements are, admittedly, somewhat complicated. And they certainly don't guarantee positive results. But if you honestly are interested in elevating your communication skills, this book will walk you through both mistakes and remedies in a way that will boost ! your confidence when such unavoidable clashes arise. --Howard Rothman

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